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Digital BW, The Print

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Message

Re: [Digital BW] Fellow Printers (list members) get Exposure in BW Magazine

2001-10-24 by Julian Thomas

Lovely - somethingto aim for

Julian
----- Original Message -----
From: "Steadman Uhlich" <steadmanuhlich@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Wednesday, October 24, 2001 2:57 PM
Subject: Re: [Digital BW] Fellow Printers (list members) get Exposure in BW
Magazine


> Julian,
>
> I think you will like his work.
>
> keithfishman.com
>
> Regards,
> Steadman
>   ----- Original Message -----
>   From: Julian Thomas
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Wednesday, October 24, 2001 2:26 AM
>   Subject: Re: [Digital BW] Fellow Printers (list members) get Exposure in
BW Magazine
>
>
>   Steadman, have you a link for Keiths website - couldn't find it on
google.
>
>   Julian
>   ----- Original Message -----
>   From: "Steadman Uhlich" <steadmanuhlich@...>
>   To: <DigitalBlackandWhiteThePrint@yahoogroups.com>;
>   <piezography3000@yahoogroups.com>
>   Sent: Wednesday, October 24, 2001 7:38 AM
>   Subject: [Digital BW] Fellow Printers (list members) get Exposure in BW
>   Magazine
>
>
>   > I just received my copy of B&W magazine and was delighted to see the
work
>   and writings/opinons of two of our fellows on these lists.
>   >
>   > As far as I can tell the are both still Piezographers.  That does not
>   really matter...but what does matter is that they both were identified
as
>   digital printmakers....or actually as photographers using a digital
process.
>   >
>   > The two in question are:
>   >
>   > 1. Michael Kravit (p.26)
>   > 2. Keith Fishman (p. 106)
>   >
>   > Michael gave an interesting viewpoint in the letters-to-the-editor
section
>   of the magazine.  Michaels letter is in response to earlier letters that
>   were down on digital process and suggested to the editor that digital
had no
>   place in the mag.   Michaels letter was well written and balanced.
>   >
>   > Of course it was followed in that section by another letter that
seemed
>   ridiculously "unbalanced" with statements like this (and I do quote
>   here...really!):  "Because with digital, how do you know if what is on
the
>   print is on the film?"  I found this especially humorous since I don't
use
>   film at all to create my own "photographs."
>   >
>   > Keith has an even more substantial part of the magazine.  Keith is
>   profiled in the mag with several pages of images and written profile.
Not
>   only that, he is also having an exhibition that was advertised with a
full
>   page ad by his sponsoring gallery.  I especially liked his image
"Supporting
>   Driftwood 2000"   (Julian Thomas I think you will like this one too.)
If
>   you have not seen Keith's website, go visit.  He uses carbon quadtones
to
>   produce some stunning ethereal images (and at a purposefully small
format).
>   When I saw his images of clouds and skys and fog, I could "see" them on
a
>   carbon Piezotype on a fine art paper...I imagine they look great on the
>   paper.
>   >
>   > It is good and encouraging to see that BW Magazine (the US mag that
>   is...there is another in the UK that is very different) is providing
space
>   for digital printmakers.
>   >
>   > I only have one criticism....the article on Keith calls him a digital
>   "outputter."  I think that sounds like a golf club.  I recommend that
from
>   now on we address ourselves as "digital printmaker" or even
better..."Master
>   Digital Printmaker" or for the more modest... "Herr Doktor
Printmeister."
>   Something clear and catchy.  Just don't call yourself a "digital
printer."
>   (wINK)
>   >
>   > Congratulations guys!
>   >
>   > Steadman
>   >
>   >
>   > [Non-text portions of this message have been removed]
>   >
>   >
>   >
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