Digital BW, The Print

Snip

> > Anyway, I'll stop now until I perceive you care to know more 
about the finer points of this process, but I highly recommend you 
give it a try. As you work the image, keep making your selections and 
creating a separate adj. layer for each one, and give it it's own 
curve manipulation, then perfect the selection through the mask. If 
you make a mask you don't like you can trash it separately from the 
curve and vice versa, or you can trash them both together and start 
again, so the control is immense.
> 
> Todd

Todd,

I had done a lot of reading and exploring of photoshop a while back 
and forgotten some of the discoveries.  Catching Ron Harris' site 
reminded me of the layers.  I have printed out your directions, it 
makes sense, in opposition to dodge/burn, & will explore it more over 
the next weeks.

Thanks for the considered & detailed responses.

Cleavis