Ok stet that. F-stop = double the exposure/luminance. Duh. Now I've got it. So under current inks we are getting around 5.5 stops of tonal range from matt papers. > From: Steve Kale <stevekale@...> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Date: Wed, 24 Nov 2004 18:56:42 +0000 > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Subject: Re: [Digital BW] Tonal range recording > > > Thanks. OK I think I am beginning to understand this stuff a lot more by > going through Noreman Koren's pages. I found "Why Gamma?" on this page to be > very helpful in relating film to photographic paper, and also for thinking > about the whole process of linearisation a print curve (printing a step > wedge, measuring it and linearising it). > > http://www.normankoren.com/makingfineprints1A.html > > My maths is very rusty though - I haven't done log math since highschool. > As a result I am stuck on the following sentence: > > "One unit on a Log10 scale (such as Density) equals 3.32 exposure zones > (f-stops)." > > Any help appreciated. >
Message
Re: [Digital BW] Tonal range recording
2004-11-24 by Steve Kale
Attachments
- No local attachments were found for this message.