--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Steve Kale <stevekale@b...> wrote: ... snip... > A word on soft proofing. When you do a soft proof in a color managed world > you are looking at the combined effect of two things: (a) a determination of > what is out of gamut, (b) the effect of the method selected for dealing with > out of gamut colour (absolute, relative, perceptual etc) and (c) a complete > management of the different shape (gamma etc) of the two spaces.... Actually, the way most of us are using softproof for monochromatic out put, most of this is irrelevant. By checking the "preserve color numbers" box, we are taking advantage of the device to lab LUTs only. No icc conversion is going to take place when printing, and we are not asking preview to simulate that conversion for us. Therefore intents are irrelevant, and grayed out. We are looking at a monitor representation of how the output system prints, period, including paper white and ink black if we choose to use them. Tyler
Message
Re: [Digital BW] Tonal range and linearization
2004-12-07 by Tyler Boley
Attachments
- No local attachments were found for this message.