Bob, I have been avoiding the issue by stuffing a total of 115GB of hard disk space in my computer. I am down to about 40GB free and will need to deal with the issue in the not to distant future. Lots of trash in there. You are correct that I am not working as a professional photographer but as a part timer in a "fine art" print mode. I don't produce a lot of prints and I am not working with very many images. I tend to spend way too much time working on each one. Ultimately I am not inclined to archive my raw scans. Since I have my own scanner the scans did not cost me anything and can be redone. Also the future will hopefully provide me with even better equipment and I would want to rescan anyway. If you are paying to have your negatives scanned this is a very different story, since you need to protect your investment. I guess I still consider the original negatives the ultimate archive of the image. I am more interested in backing up some of the working Photoshop files where I have spent a great deal of time creating multiple adjustment layers and complicated masks. In RGB for use with MIS VM these files are running up to 350MB. Considering the low volume of images I would want to archive I think that I can do this with a CD-ROM burner and then graduate to a DVD burner when the pricing is better. If you are using a digital camera, as my wife is, a good back up is critical. However, the file sizes from her Canon G1 are in the 1MB to 1,5MB range and a single CD-ROM can easily hold hundreds of images. Even with most of the higher end digital cameras the file sizes still makes CD reasonable for storage. These CD's or DVD's become your digital negatives. As digital cameras improve in quality and pixel count (currently up to 1GB with some scanning backs), cheap digital storage will also advance to keep pace. If you are working professionally, then the cost of storage drives, software and media has to be factored into the fee for the jobs. It should also be kept in mind that any images stored on CD, DVD, or magnetic media need to be recopied to fresh media at least every 10 years. These storage media do not have the permanence of silver negatives. 100 years from now someone is not going to find your CD of scans in the attic and be able to print them. There is currently no form of digital storage that can be considered archival. Martin Wesley --- In DigitalBlackandWhiteThePrint@y..., rbollini@n... wrote: > Martin, > These monster files are very intimidating to me as I start to reckon > up storage needs for a new system. Carol Steele, familiar to many as > a PShop guru, and active on the Adobe forums, was jubilant last week > as she began assembling a system with two new 60G drives plus her old > 20G. She also will include a DVD writer, with its 4G platters. > Judging from your experiences, she won't need a new system for at > least a couple of weeks. But she's a pro, and as I remember, you > don't draw an income from your photography, as is the case with many > of us on the list. I suppose amateurs have a certain advantage in > that they can simply throw away files rather than archiving them after > printing; however, digital photography promises a flood of new > visualizations. The problem of storing even a fraction of them is > enough to make your head swim. How do you handle it now, and can you > comment on yourplans over time? > Bob Bollini > (snip)
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Better Scans, was Re: Print Exchange
2001-11-15 by Martin Wesley
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