Digital BW, The Print

Daniel,

Here are the inks and positions I'm using in the 2200:

K - MIS Eboni black
LK - MIS Glop
C - PKN
LC - MIS UT7 LM gray
M - MIS PK
LM - MIS UT7 LC gray
Y - MIS UT7 Y Sepia

Warm profile is just MIS PK, MIS UT7 LC gray, and Glop.  Cool profile 
is PKN, UT7 LM gray, and Glop.  Neutral profile is PKN, MIS UT7 LM, MIS 
UT7 LC, and Glop.  Sepia profile is MIS PK, MIS UT7 LC, MIS UT7 Y 
Sepia, and Glop.

Carl


On Feb 16, 2005, at 1:28 PM, Daniel Staver wrote:

>
> Could it be that you put your GLOP in the K position instead of the Y
> position like I'm using? Does the position of the ink matter?
>
> Right now I'm using the UT7 inks in a 2100 with PKN in the K position
> and GLOP in the Y position. I also use a flat curve, except for 100%
> white which I leave to 0.
>
> I have some Ilford Smooth Pearl here. I'll try that next.
>
> --
> Daniel Staver
> http://daniel.staver.no
>
>
>> It might be the paper or method of application.  I get zero bronzing
>> with a 10% glop coat (applied as a flat curve during printing) on
>> either Kirkland Gloss, Ilford Smoorh Pearl, or Epson Premium Semimatte
>> - not semigloss.  I also get better results with the MIS inks (UT2,
>> UT7, or FSN) than with Epson UC inks.
>