Digital BW, The Print

Carl

How are you finding things skipping the dark greys?  I have now received
another set of cartridges and am trying to decide what to do.

My understanding is that UT2 M and LM are the same as UT7 C and LC and that
UT2 Sepia is the same as UT7 sepia, so I have them.  I just got UT7 M and LM
and PKN.  So I can either run a UT7 setup or follow your approach.  I don't
mind swapping MK and PK/PKN when switching to matt paper.  I wonder how much
gain you get from PK vs PKN (rather than just PKN)?  I assume you are using
the UC_Neutraliser to blend LC and LM (and sepia)?

Steve


> From: Carl Schofield <scho@...>
> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Date: Wed, 16 Feb 2005 13:36:01 -0500
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Subject: Re: [Digital BW] My experiences with GLOP and UT7
> 
> 
> Daniel,
> 
> Here are the inks and positions I'm using in the 2200:
> 
> K - MIS Eboni black
> LK - MIS Glop
> C - PKN
> LC - MIS UT7 LM gray
> M - MIS PK
> LM - MIS UT7 LC gray
> Y - MIS UT7 Y Sepia
> 
> Warm profile is just MIS PK, MIS UT7 LC gray, and Glop.  Cool profile
> is PKN, UT7 LM gray, and Glop.  Neutral profile is PKN, MIS UT7 LM, MIS
> UT7 LC, and Glop.  Sepia profile is MIS PK, MIS UT7 LC, MIS UT7 Y
> Sepia, and Glop.
> 
> Carl
>