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Digital BW, The Print

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Message

RE: [Digital BW] My experiences with GLOP and UT7

2005-02-17 by Paul Roark

I, too, expect to move to having the PK and PKN in the dark gray spots of
UT7.  It may not be ideal on the older printers, but from the 2200 up,
especially with a printer utility to control the light ink loading, it looks
like the obvious way to go.  It combines a killer dmax, a way to get smooth
highlights, and the least amount of beginning bronzing.  I'll start with the
2200 and take it up to the 7600 & 9600.

Paul
www.PaulRoark.com 

_____________________________

-----Original Message-----
From: Carl Schofield [mailto:scho@...] 
Sent: Thursday, February 17, 2005 9:36 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] My experiences with GLOP and UT7


Steve,

Prints look fine - no coarseness in the midtones as a result of leaving 
out the dark gray inks.  No swapping is necessary with the three K inks 
installed - all bases covered.  The warm PK is used with the warm UT7 
gray for the "carbon" and sepia profiles.  Yes, the neutral profile 
uses the UC_NEUTRALIZER to blend the LC and LM grays in equal 
proportions and if you define glop (LK) as the second gray ink for 
partitioning, but use the partition value for the LC or LM.  This will 
apply glop along the LC+LM curve only or you can edit the LK curve in 
the .quad file to change the glop distribution or use a glop toner 
curve.

Carl

On Feb 17, 2005, at 11:19 AM, Steve Kale wrote:

>
> Carl
>
> How are you finding things skipping the dark greys?  I have now 
> received
> another set of cartridges and am trying to decide what to do.
>
> My understanding is that UT2 M and LM are the same as UT7 C and LC and 
> that
> UT2 Sepia is the same as UT7 sepia, so I have them.  I just got UT7 M 
> and LM
> and PKN.  So I can either run a UT7 setup or follow your approach.  I 
> don't
> mind swapping MK and PK/PKN when switching to matt paper.  I wonder 
> how much
> gain you get from PK vs PKN (rather than just PKN)?  I assume you are 
> using
> the UC_Neutraliser to blend LC and LM (and sepia)?
>
> Steve
>
>
>> From: Carl Schofield <scho@...>
>> Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>> Date: Wed, 16 Feb 2005 13:36:01 -0500
>> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>> Subject: Re: [Digital BW] My experiences with GLOP and UT7
>>
>>
>> Daniel,
>>
>> Here are the inks and positions I'm using in the 2200:
>>
>> K - MIS Eboni black
>> LK - MIS Glop
>> C - PKN
>> LC - MIS UT7 LM gray
>> M - MIS PK
>> LM - MIS UT7 LC gray
>> Y - MIS UT7 Y Sepia
>>
>> Warm profile is just MIS PK, MIS UT7 LC gray, and Glop.  Cool profile
>> is PKN, UT7 LM gray, and Glop.  Neutral profile is PKN, MIS UT7 LM, 
>> MIS
>> UT7 LC, and Glop.  Sepia profile is MIS PK, MIS UT7 LC, MIS UT7 Y
>> Sepia, and Glop.
>>
>> Carl




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