Peter, I agree with Arlene that signing on the matte or anywhere else other than the print itself is dumb, but I do it anyway because it is conventional and it doesn't cost me anything. I also include a printed notice as evidence of my authorship as part of the print itself, outside the image area. The one time I signed a print in the image area, in a gallery while preparing to present the framed piece to a commissioning client, the gallery's damn silver pen skipped, I botched my signature and I was and have been mortified to this day, 10 years later, so I'm rather shy of visibly putting my hand to a finished piece. Also, since my autograph is not collectible and I feel no duty to posterity to suppose that it ever will be, signing the matte seems harmless and I don't mount my prints in such a way as to expose the notice/title/signature applied to them - that serves another purpose. Frank --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Peter Gorwin <pshelleyg@c...> wrote: > Well, Arlene, if it's so Dumb, why have some of the greatest > photographers in history signed on their mats? > Sounds to me like you don't go to enough galleries. Get educated. > Peter G. >
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[Digital BW] Re::signing
2005-02-24 by njfranknj
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