Shilesh, this isn't in direct response to your statement, but I just wanted to state that I printed on William Turner this afternoon and though I may not have had as STRONG an emotional response as you (i.e., 'orgiastic response' to the HPR) *smile*---it did elicit a very strong response from me. I particularly noted your thought about the tactile feel (but tonality and detail also)--this could be one of my favorite papers and, like you, Epson Velvet has been my current favorite for awhile. I printed the same image on other papers--didn't do the same thing for me.
Diane
-----------
Diane B. Fields
picnic@...
photo site http://www.pbase.com/picnic
----- Original Message -----
From: Shilesh Jani
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Sent: Friday, March 11, 2005 2:26 PM
Subject: Re: [Digital BW] DMax and Glossy Prints - Are We Kidding Ourselves?
<snip>
Epson velvet Fine Art is a current favorite.
Perhaps I could make the prints on a non-glossy RC paper like Epson
Semi-Matte, or such. But I have lost the urge anymore.
I still remember the first time I held a well made b/w inkjet print
(from one of the founders of this forum - Martin Wesley). It was on
308 gsm Photo Rag. It elicited an almost orgiastic response in me;
the tonality, detail, and most importantly the tactile feel of the
paper. William Turner has a similar effect on me. Yet a few of the
people I have shown/asked to hold prints made on these venerable
papers have reacted "what sort of cardboard is this"!! Just goes to
show you that there is no accounting for personal taste and
preference.
Regards.
Shilesh
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[Non-text portions of this message have been removed]Message
Re: [Digital BW] DMax and Glossy Prints - Are We Kidding Ourselves?
2005-03-11 by Diane Fields
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