Mix warm and cool - I use my own curves but when I did use the UC curves I found that around 35/65 warm/cool was close. Personally I would print step wedges of 100-0 warm-cool to 0-100 warm-cool in 10% increments. Sepia is sepia so you typically would not mix that. Same with Coolse. Others may disagree but that is a good starting point. > From: frankg_photo <fh.gross@...> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Date: Fri, 18 Mar 2005 19:06:00 -0000 > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Subject: [Digital BW] Re: QTR selecting 2 tone curves help > > > > Well I'm being stupid too and I am not contradicting the advice - i'm > quite sure printing step wedges or small segments is a correct way to > view differences, but what i still dont get is.............. you > have about 4 curves on the left and 4 on the right for each paper > plus a hundred positions on the blend. So as per my original post, > where do I start looking for a neutral print on a common standard > like epson enhanced matte or photorag? > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Diane Fields" > <picnic@c...> wrote: >> I hate to clutter the list with something like this but I have to > say it LOL--DUH!!! >> I don't know why I didn't think to do either of the mentioned > things. Sometimes one just overlooks the most obvious. >> >> Diane >> ----- Original Message ----- >> From: Steve Kale >> To: DigitalBlackandWhiteThePrint@yahoogroups.com >> Sent: Friday, March 18, 2005 1:40 PM >> Subject: Re: [Digital BW] Re: QTR selecting 2 tone curves help >> >> >> Or just print a step wedge for each - all on the same page >>
Message
Re: [Digital BW] Re: QTR selecting 2 tone curves help
2005-03-18 by Steve Kale
Attachments
- No local attachments were found for this message.