I'm new to QTR, but I will tell you my reason for not using it as my working space--but rather have it as my 'proof'--meaning I convert to it. I prefer to work in Adobe RGB98, process as b/w (and use a variety of ways depending upon the image)--but I don't convert to LAB until the end (and then to gray-matte paper, my usual paper). I can't use PKS in grayscale for one thing--and this is normally my last process before printing. I'm watching to see how others handle this, but that was my understanding of how to handle it--as a 'conversion'. It works well for me. If I need to do just a bit more to the file before printing, I can still add an adjustment layer to it, but I've done most of my work in RGB, 16 bit (and, in fact, most of it besides the b/w conversion, was done before the RAW conversion since I shoot mostly digital RAW). Diane. ----- Original Message ----- From: Andrew Unger To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Wednesday, March 23, 2005 5:48 PM Subject: Re: [Digital BW] Quadtone RIP Faded print It was my understanding that QTR Lab Gray is intended to be the Grayscale Working Space. I have made it my default for working on grayscale files. You can do this by clicking on Edit/Color Settings and then change the Gray Working Space to QTR Lab Gray. [Non-text portions of this message have been removed]
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Re: [Digital BW] Quadtone RIP Faded print
2005-03-23 by Diane Fields
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