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Digital BW, The Print

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Re: [Digital BW] Quadtone RIP Faded print

2005-03-24 by B. Ellis

>There, I selected the matte curves, 2
>of them blended at 50% in order to get a neutral tone. Printed, and
>what came out drastically lacked contrast.

Have you tried a different blend? I realize of course that different
printers, papers, etc. produce different results but I get a neutral tone
with cool on the left, warm on the right and a blend of 90 (i.e. 90% cool,
10% warm).

----- Original Message ----- 
From: "davidpichevin" <davidpichevin@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Wednesday, March 23, 2005 7:19 PM
Subject: Re: [Digital BW] Quadtone RIP Faded print




Diane,

Thanks for this and your previous replies.

The workflow you have described is what I have done for my last print
in QTR. Convert the file to the Grey matte profile from Roy, save then
import it into QTR for printing. There, I selected the matte curves, 2
of them blended at 50% in order to get a neutral tone. Printed, and
what came out drastically lacked contrast.

David.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Diane Fields"
<picnic@c...> wrote:
> I'm new to QTR, but I will tell you my reason for not using it as my
working space--but rather have it as my 'proof'--meaning I convert to
it.  I prefer to work in Adobe RGB98, process as b/w (and use a
variety of ways depending upon the image)--but I don't convert to LAB
until the end (and then to gray-matte paper, my usual paper).  I can't
use PKS in grayscale for one thing--and this is normally my last
process before printing.   I'm watching to see how others handle this,
but that was my understanding of how to handle it--as a 'conversion'.
 It works well for me.  If I need to do just a bit more to the file
before printing, I can still  add an adjustment layer to it, but I've
done most of my work in RGB, 16 bit (and, in fact, most of it besides
the b/w conversion, was done before the RAW conversion since I shoot
mostly digital RAW).







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