> Let me add a couple of things: > > First, it is definitely the way the Epson 4000 is dealing with black > generation. I'm used to making digital negatives on the Epson 2200, > 7600, and several other machines. I've built curves for a lot of > different silver and alternative process (Pt, Pt/Pd, gum, cyanotype, > Azo). The 4000 is an entirely different animal. > > It appears to have a lot to do with differences between the reflective > and transmissive density of the Epson PK, light black, and whatever > colors are mixed in by the Epson drivers. > > The crossover problem extends to every paper type that I've tried, so far. > > I'm beginning to think that the answer is a RIP. Has anyone ever made > digital negatives using one? Our experiments with QTR show that the > dither pattern is just too obvious for digital negatives. Our Onyx RIP > also has an ugly dither. Has anyone tried ImagePrint on digital negatives? > I'm just picking up this thread part way through. Are you just using black/lt black inks for the negs? The best digital negs I've seen were made using the colour inks - a nice emerald green on pt/pd for example (red seems to give too grainy/artefacty negs) Have you tried the PDN curve setup system? There is a lot of good discussion on digital negs over on the APUG list(of all places!) I recall a recent thread on the 4000 where just increasing the ink setting (in the printer) +10 or 15% sorted out some density problems >
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RE: [Digital BW] Digest Number 3056
2005-04-21 by Tim Atherton
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