Digital BW, The Print

Well then, why not HP?  Peter

On May 25, 2005, at 9:39 AM, Tyler Boley wrote:

> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, hogarth@s... 
> wrote:
> ...
>> Yes. Given a choice of 2.3+ Dmax on gloss, semi-gloss, or matte
> paper, I
>> would almost certainly pick the matte paper. I don't think I'm alone 
>> in
>> that. The market is there. It's just a matter of time.
>
> Bruce, Todd Gangler here in Seattle is one of the only (perhaps now
> the only) people making tri-color carbro prints left n the world.
> Near Ciba gamut and density on beautiful Magnani fine art papers, no
> glitzy gloss or fake surface.
> Incredibly beautiful, and inherently photographic. I've never seen
> anything like them, perhaps old dye transfer.
> I've heard people say inkjet prints on art papers are not photographs,
> as though only a photo paper surface is a photograph. I honestly don't
> know what they mean.
> Anyway, in terms of the nature of the media, it's whole new world in
> my opinion. But as above, the marketplace may dictate otherwise. Also,
> I think other inks need to be developed. Lyson dye or even Epson dye
> prints on the same fine art papers blow the UCs out of the water, but
> of course don't have Wilhelm's blessings. Mine either I guess.
> Tyler
>
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