Digital BW, The Print

Hey J Vee,
I'm glad to hear this. Personally I prefer silver gelatin for B/W
but as I said I have come across some very beutiful color ink-prints.

Only I think it can be over done sometimes. Like when I went to see
some color photographs of ERNST HAAS , at a local gallery in nyc.
I was familar with the work they had-
from books and web sites,- and I remembered that he used a very 
strick dye transfer proccess that was suppose to be time consumming 
and expensive. Well the shots they had of his were great, except that
 they looked more like paintings with a very heavy coat.

 Yes they were beuiful but not what I expected.
 But again I am glad to read that ink-jet prints are becoming more
 exceptable.

 Thanks for the good word.
J Ten   

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, J Vee 
<j.vee@g...> wrote:
> J ten,
> 
>     I sell both color and monochrome (galleries and fine art 
fairs).  I
> print with  52² ColorSpan 11 color printer, as well as a very old 
manual
> method -  Carbon (gelatin pigment). Color sells best to the casual, 
impulse,
> buyer.  Quality monochrome sells best to a (minority) or more 
sophisticated
> (I think) group of people.  J Vee
> 
> 
> On 6/2/05 1:04 PM, "jonnytenz" <jonnytenz@y...> wrote:
> >  in any of the local or commercail gallerys in NYC.
> > 
> > I'm all for inkjet prints and thats what I have been using
> > lately,though mostly for convinence.
> > question is, before I get too involved in inkjet printing -
> > how well do so called inkjet prints sell?... not that I have great
> > shots for sale, but I;m  curious. Thanks for responding in 
advance.
> > jten
> 
> 
> 
> [Non-text portions of this message have been removed]