Tyler Boley said: >No doubt they have lower dmax, but >they look rich and by >no means weak next to Carl's beautiful >print. Glad to hear someone say this. With every third message here seemingly worried about inadequate dMax I was beginning to think there must be something wrong with me because I've been happy with the blacks I get on my matte papers. I've spent a lot of time printing in a darkroom (a little color, mostly monochrome) from 4x5 and 8x10 negatives. I switched to scanning the negatives and printing digitally about 3 years ago (a little color, mostly monochrome). I have enlargements printed on variable contrast fiber base papers, contact prints from 8x10 negatives on Azo paper (a graded contact printing paper noted for it's beautiful tonal separation from blacks to highlights), and digital prints hanging together on my walls. The blackest blacks in the digital prints look just fine and to my eyes don't look weak or washed out in comparison to the silver prints. IIRC glossy fiber base papers typically have a dMax in the 2.0 - 2.1 range, which isn't all that much greater than dMax from digital prints on matte paper. More importantly, many silver prints don't display the highest dMax that could possibly be achieved(because of the problems doing so can present in other areas of the image). So to me the real life differences between the measured dMax from digital prints on matte paper and the measured dMax theoretically attainable from silver paper isn't all that important, an idea that seems to be borne out by your comparison. ----- Original Message ----- From: "Tyler Boley" <tyler@...> To: <DigitalBlackandWhiteThePrint@yahoogroups.com> Sent: Saturday, June 11, 2005 2:45 PM Subject: [Digital BW] the black thing For reasons I won't go into there is a silver fine art print by Carl Chiarenza in my studio right now. http://homepage.mac.com/chiarenza/Menu2.html Like all, I am probably more biased than I realize, but none of the quad prints here on good art papers that utilize much black suffer by comparison. No doubt they have lower dmax, but they look rich and by no means weak next to Carl's beautiful print. You gotta pick the medium to make the particular image sing, instead holding biases about particular materials. Or the reverse, pick materials you love and make the images work on them, or some mix of both... I say this now because Carl is universally known as someone utilizing a lot of black as part of his visual vocabulary, and also as one who goes for as much dmax as possible. I could claim all day that the quads here are as good as my silver, but it wouldn't mean anything since you don't know if I had my silver together, we all know Carl does. I'm positive I could not make Carl's image more impressive or even as good with a pigment inkjet on matte. It wouldn't say what he intended. On the other hand I venture to add that he could possibly not make a silver print of one of my images as nice as my quad print. At risk of angering people, I'd say that when someone says matte prints suck, it really means their matte prints of their images suck, or they've never seen a good one. I could state my opinion, that there are no "photo" surface inkjet papers that do not look artificial and cheap, and therefore inkjet photo surface prints suck. But they probably actually don't, I just lack user knowledge of them and an affinity for them, and such a statement really provides nothing useful to anyone anywhere, does it? Tyler Please visit the Group Homepage to check the Files, and other resources as they are often being updated. http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint If you wish to receive no emails or just a daily digest, or you wish to unsubscribe, please edit your Membership preferences by visiting this same page. Please follow these basic guidelines: - As threads develop, trim off excess portions of earlier messages to keep them short. - Good manners are required at all time. No personal attacks or flames. 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Re: [Digital BW] the black thing
2005-06-11 by Brian Ellis
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