Jon, I'm not disputing your inks ability to make dotless highlights, but I am using MIS UT2 inks on an epson 1280 and I don't see any dots in my highlights now. Is your dotless different? I'm not trying to be sarcastic, just trying to understand how much the inkset is contributing to what QTR produces on its end of the combination. Your friend in Photography, Johnny --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "piezobw" <piezobw@c...> wrote: > -- In DigitalBlackandWhiteThePrint@yahoogroups.com, "dfaprinting" <dfaprinting@y...> > wrote: > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "piezobw" > > <piezobw@c...> wrote: > > > no dots and smoother transitions > > > > > > I can understand the dot issue in the lightest shades, but I'm > > surprised you couldn't get dotless in the middle to almost black > > areas. > > That area should never be a problem with nearly any system. Highlights can be though. > This is one in which we think the medium's worst critics can take our highlights under > a microscope now!!!! :) > > Jon Cone
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[Digital BW] Re: How many shades of grey?
2005-06-16 by Johnny Eades
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