Brian Ellis wrote: > >Why are you switching to pyro? I've read that it's good for scanning though >I haven't read an explanation of why that's so. I never found any benefit >from PMK with wet printing. I've been tempted to try it again now that I >scan and print digitally but I'd like to know why it's supposed to be >particularly good for scanning before trying it again. > > Hi Brian, I'm not the original poster, but I imagine that pyro stain will help lower the granularity of the scanned slide. How big a deal this is, I'm not sure. Today a Nikon Coolscan V arrived, and I'll scan some PMK negatives later this week and see how things go. I to don't use PMK for developing anymore, though, as it lead to extremely compressed highlight on VC silver paper. If someone is interested in determining the effects of a pyro stain on scanning results, try the following: Make the best scan that you can of a negative developed in a non-staining developer, something like D76 1+1 or any other reasonably fine-grained developer. Bleach the negative in a re-halogenating bleach (a sepia toner type bleach will work, i.e. a solution of potassium ferricyanide and postassim bromide), and re-develop in PMK. You can re-develop with the lights on. The negative will now have a pyro stain.Wash and dry the negative, and then scan it again. Which gave the best result, the regular or stained negative? Peter
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Re: [Digital BW] black and white film
2005-06-29 by Peter De Smidt
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