Hi, I am editing my black and white images (scanned from Tri-x negatives) in Photoshop v. 7 and printing them on an Epson C86 printer using the EZ Tone Eboni black ink with Epson Enhanced Matte paper. The tonality of the printed image does not match what I'm seeing on my monitor, which is an NEC MultiSync LCD 1850E, and am hoping folks here might be able to help me with that. I've taken a number of steps to calibrate my printing process, but the printed image is lighter, overall, than the image on screen: the shadows are not as dark as they should be and the lighter tones are lighter than they should be. I suspect that I'll have to cross the threshold into the Dark Arts of adjustment-curve editing (for which I would avail myself of Paul Roark's excellent instructions at http://home1.gte.net/res09aij/Monotone_Curves.htm). Before I take that step, however, I want to see if I've missed anything else in the process. Here is the summary of what I have done so far: 1) Using the Photoshop gamma utility, I've created a monitor profile and confirmed (right-click desktop->Settings->Advanced->Color Management) that the profile is being used by my PC. 2) Photoshop working settings are as follows: - Image->Mode->Grayscale - Image->Mode->Assign Profile->Don't Color Manage -Edit->Color Settings->Working Spaces->RGB Mode->Adobe RGB (1998) -Edit->Color Settings->Working Spaces->Gray->Gray Gamma 2.2 3) In Photoshop, I created an Adjustment layer into which I loaded Paul's C86-EZ-EEM-Con-15.acv, verified that it is the topmost layer and that it is visible when I print. 4) In C86 printer driver: - Color Management is Gamma 2.2 - Brightness and Contrast sliders are both at 0 - Paper is Matte Heavy - Print Options are Black Ink Only and Edge Smoothing First of all, I want to clarify that I'm using the adjustment curve correctly. I've loaded C86-EZ-EEM-Con-15.acv into an adjustment layer. When editing, I make the adjustment layer non-visible; when I print, I make it visible. I gather that the printed result should look the same as the result on screen when the adjustment layer is _not_ visible. Do I have this part of things correctly? If I do need to modify the curve, I have these questions: a) Should I start with the C86-EZ-EEM-Con-15.acv or is there some other curve I should be using? b) Which of the various step tablets (K156, K168, K180, K220, K240) I should be using for the C86/Eboni Black/Epson Enhanced Matte combination? Thanks for your help! --Phil
Message
Getting print contrast to match screen contrast with Epson C86 (or Defense Against the Dark Arts of Curve Editing)
2005-08-07 by Philip Glaser
Attachments
- No local attachments were found for this message.