Digital BW, The Print

My g'friend, not a bad test subject with no expertise, but pretty good
eyes, always calls my 2200 UC Mk Cool prints "purple." That's here
pretty consistent judgement.

Roy Harrington wrote:

>
> I really have to go with neutrality being in the eyes of the beholder. 
> The same
> print can be called neutral, warm or cool by different people.
> I was at the SF Photo show a couple of weeks ago, I was amazed at the
> variability of the silver prints I saw there. They appeared to have 
> tones from
> greenish, to reddish, to warm, to cool. I feel that my own vision has 
> varied over
> time and is much more sensitive now than before.
>
> As far as the K7 inks, I think the most obvious benefit is the 
> smoothness. It's
> extremely smooth -- no dots visible even with a high power loupe. Dmax is
> probably about the same as other inks. The color tone is very even 
> across the
> density range. It will vary slightly depending on the paper -- in fact 
> since it
> has no variable tone varying the paper is the only option. It measures 
> very
> close to neutral. The paper tone naturally has a big effect at the 
> light end.
>
> Roy
>
>
>
>
>
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