Only ocassionally will you see something that reflects a slight element of mature creativity and that was probably the result of considerable luck. The technology was not there and the know-how certainly was not there, therefore it is safe to claim - and I do - that the 19th century photographer had to make do with inadequate technical options and therefore made the best of a bad job. That is a joke. Either you have seriously got to be kidding or you haven't seen much of the truely great 19th century printmaking. I have. Such as entire portfolios by William Henry Jackson, Carlton Watkins, Edweard Muybridge, Timothy O Sulliavan, and Julia Cameron from the very beginnings, not to mention Francis Frith, Frederick Evans,etc,etc,. Yea things got slicker in the 1930's primarily because of sharper and better optics and a little faster films, but not significantly different in my opinion. It was the same aesthetic only with different ideas, which was what made the work different, not the technology. Our technology is radical and moving light years beyond what people could even dream of even 50 years ago. Unfortunately our ideas are what is lacking. A lot of the work I see is trying to emulate something that was from another conceptual era altogeher. John
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19th century silver prints
2005-08-20 by john dean
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