Scott- Exposure for the negative is roughly twice that for the print. You'll learn to evaluate the print for the negative with a little practice. Reciprocity for the negative is not the same for the print. The prints, by the way, can be stunning. You can make the exposure for the negative and remove the film pack from the holder without processing. Mark the exposed packet, to avoid double exposing, and process everything when you return to the darkroom (or kitchen/bathroom). Processing is very simple. Reinsert the packet into the Polaroid holder, flip the level to process, and pull. Depending on ambient temperature, development time is usually between 20-60 seconds. Peel apart, separate the film from the paper, and immerse immediately in a 18% sodium sulfite solution. You can use almost any container large enough to hold the film for clearing; Polaroid sells a plastic bucket with a nice insert. You'll see the negative begin to clear almost immediately. When cleared, you can simply wash and hang to dry. Better yet, see if you can find a (rare) copy of the Ansel Adam's Polaroid book. The chapter on visualization is one of the best ever written on photographic practice. One last thought: I'd be careful with the old Polaroid 4x5 scanners. You can probably do as well today with a new Epson or Microtek flatbed. You'll have firewire connectivity, better software, and technical support. Bill Kennedy Associate Professor of Photocommunications St. Edward's University 512/448-8680 [Non-text portions of this message have been removed]
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Re: [Digital BW] Re: LF Workshops? was
2005-08-30 by BKPhoto@aol.com
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