Yahoo Groups archive

Digital BW, The Print

Index last updated: 2026-04-28 22:56 UTC

Message

Re: [Digital BW] Re: "color" management without instruments

2005-09-28 by Steve Kale

> From: dlruckus <dlruckus@...>
> [snip]
> A scanner can 
> substitute in most instances even though not as precise.

> [snip] Color spaces and color management merely
> distort the 0-255 or % no's onscreen in different ways for different
> purposes and are themselves an artificial construct. Yes they are
> usefull albeit with much mumbo jumbo attached.

When you scan something it records a file value which in turn depends on the
scanner colour profile. 128/128/128 from a scanner has little meaning unless
you know its colour space.  So using a scanner assumes you have a good
profile for that scanner.  Circular.

>You can 
> also simply use photoshop curves to linearise black&white output.

How do you tell if the result is linear?  Eyeballing is not particularly
accurate.  You can use a scanner but as noted above you are dependent on the
assumption your scanner profile is good.  But is it?


> 
> In terms of numbers, I believe they are indeed relevant. If you send
> a 128,128,128 dot to the printer, it will be printed the same every
> time.( or else you need to change printers )

Yes but what colour is it?  Does it match what you see on screen?  Again you
can eyeball or desire, as you seem to do, something better.

>It is the consistancy
> that truly matters. You can compensate balance and/or tones so long
> as a given #set prints the same each time. This is particularly true
> if you are not trying to match up to someone else's gear but merely
> printing your own stuff.

>Color spaces and color management merely
> distort the 0-255 or % no's onscreen in different ways for different
> purposes and are themselves an artificial construct. Yes they are
> usefull albeit with much mumbo jumbo attached.

Sorry but this is garbage.  They don't distort anything - they give a pixel
value meaning and help you manage pixel values from one device to another in
a way that keeps the colour (greyscale or not) consistent.  There isn't any
mumbo jumbo to that but it does involve understanding a little.  A simple
book Real World Color Management by Bruce Fraser will tell you all you need.

Attachments

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.