Tyler, Will this variable dot be created by the RIP taking over direct control of the heads?? IOW, in my case I have a 7500 printer with low miles that I want to dedicate for the task, using neutralized, custom mono ink mixes, keeping my 7600 for studio color work on RC. I want to print both Photo and Matte black on the 7500, varible dot, and the remaining heads with various dilutions of gray. Would this be an "insane squared" path? Can the v12 make my 7500 into a variable dot machine?? I remember the original Cone driver with the 3000 made that unit into a finer dither than the vanilla Epson driver of the time. Is this a tri-level version of the same?? More details, please. Claude improvements are slight to the naked eye, but any move toward a more photographic output is significant to me, and the difference can seen. So for me, without going to a 6 or 7 ink setup, v12 has allowed me to improve output and remains a very interesting and evolving tool. Tyler
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SP v12
2006-02-13 by claudej1@aol.com
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