Stick to a Gray Gamma 2.2 (or Adobe RGB) workspace. Leave the controls other than the "hue" (the colour picker) in their default positions and figure out your favourite hue setting for various papers that you use. Use PS as your image editor rather than the driver. If you have access to a densitometer or spectrophotometer, couple this with a QTR ICC profile for each of your favourite settings and papers. (If you don't have access to one, others here who do may be prepared to measure and make the profiles for you from patch strips you print.) Papers worth trying include Epson Ultrasmooth and Hahnemuhle Photorag, but there are many others. Listen in here and you'll quickly learn the usual suspects. Have fun! > From: ginnylady33 <ginnylady33@...> > Reply-To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Date: Tue, 21 Feb 2006 21:56:53 -0000 > To: <DigitalBlackandWhiteThePrint@yahoogroups.com> > Subject: [Digital BW] Few B&W 2400 questions > > I finally got my 2400 from Page Computer at the $675 sale price. > > I've been printing on Epson Heavyweight Matte until now. I'm wondering > which of the Fine Art papers you'd recommend I try? I've not used any > for B&W. > > Also, any pointers on playing with the Advanced B&W controls on the > 2400? Might there be an article on tweaking those>? > > Appreciatively > Ginny
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Re: [Digital BW] Few B&W 2400 questions
2006-02-21 by Steve Kale
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