Digital BW, The Print

Thanks Paul. 

I read your prior response a couple times and I think you absolutely
right.  I've been using the proofing process as my matching technique
and it means I start from scratch with each print.  I'll do my color
management home work and then follow up on your posted documents.

That said, the other conclusion I've made is that there is no
substitute for a good photo file and I am regularly guilty of trying
print more than the shot has to "give".  Oh well, another lesson
learned twice.

Thanks again.  Dan



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
<paul.roark@...> wrote:
>
> I've placed the UT2 1280 ICCs on my UT2 Curves page at 
> http://home1.gte.net/res09aij/UT2-curves.html
> 
> I have the procedure for how to use these in the R220 notes at 
> http://home1.gte.net/res09aij/R220_R2_Readme.htm
> 
> Paul
> www.PaulRoark.com 
> 
> 
> 
> > -----Original Message-----
> > From: DigitalBlackandWhiteThePrint@yahoogroups.com
> > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of
> > ebenostby
> > Sent: Monday, March 06, 2006 10:27 AM
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: [Digital BW] Re: Just starting B&W - 1280 w/ UT2 - Poor
Contrast
> > & Detail
> > 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
> > <paul.roark@> wrote:
> > 
> > > I have some 1280 UT2 ICCs I can send you off list if you'd like
to see
> > how
> > > that approach works.  If it works or is an approach that is
appealing,
> > the
> > > best system is one where you make your own custom ICCs using Roy's
> > program.
> > > You can embed my curves (sometimes as modified to eliminate flat
spots
> > on
> > 
> > Paul - I, too, am getting started with a 1280 and UT2. I was
wondering if
> > the ICC's you
> > mention might be made available to me, too, so I can learn about
them? It
> > would be truly
> > great.
> > 
> > In any case, I have to thank you for the help you've given me
(unbeknownst
> > to you) through
> > this list and your web docs.
> > 
> > 
> > 
> > 
> > 
> > 
> > 
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