When printing on glossy papers, including the Innova F-type gloss, Silver Rag and Oriental baryta, I use Krystal Topkote in a second pass through the printer, though with Epson K3 and UC inks rather than UT2. I compared KT with Epson R800 glop as second pass coats, and KT as simultaneous and second pass coats, and decided on KT as a second pass coat. One coat of KT more-or-less eliminates gloss differential while increasing D-max. Two coats work slightly better, but I normally only give one coat. It affords some physical protection as well. Two coats of KT do work with matte black inks on glossy paper, though not as well as a rolled or brushed on varnish for example, or as well as using PK. I've tried it with Septone inks and with Epson UC/K3 MK. Best, Helen --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Michael Kitei <mkitei@...> wrote: > > I've tested some of Roark's profiles using UT2 inks and Innova Fiba > Gloss and found that the one for EPSG with PK seems to work very > well, however, there is still some gloss differentiation to be seen. > Does anyone know if there is a way to use glop with this. If I > replace the yellow cartridge with glop and use the pk profile will it > affect the situation, or does it only work with eboni? The profile > for eboni caused huge gloss diff and required some other adjustments > as well. > > Mike Kitei >
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Re: glop and fiba gloss
2006-04-14 by Helen Bach
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