Digital BW, The Print

Ignore my last post. It helps to spell things correctly.

Mike
On Apr 14, 2006, at 12:31 PM, Helen Bach wrote:

> When printing on glossy papers, including the Innova F-type gloss,
> Silver Rag and Oriental baryta, I use Krystal Topkote in a second pass
> through the printer, though with Epson K3 and UC inks rather than UT2.
> I compared KT with Epson R800 glop as second pass coats, and KT as
> simultaneous and second pass coats, and decided on KT as a second pass
> coat. One coat of KT more-or-less eliminates gloss differential while
> increasing D-max. Two coats work slightly better, but I normally only
> give one coat. It affords some physical protection as well.
>
> Two coats of KT do work with matte black inks on glossy paper, though
> not as well as a rolled or brushed on varnish for example, or as well
> as using PK. I've tried it with Septone inks and with Epson UC/K3 MK.
>
> Best,
> Helen
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Michael Kitei
> <mkitei@...> wrote:
>>
>> I've tested some of Roark's profiles using UT2 inks and  Innova Fiba
>> Gloss and found that the one for EPSG with PK  seems to work very
>> well, however, there is still some gloss differentiation to be seen.
>> Does anyone know if there is a way to use glop with this. If I
>> replace the yellow cartridge with glop and use the pk profile will it
>> affect the situation, or does it only work with eboni? The profile
>> for eboni caused huge gloss diff and required some other adjustments
>> as well.
>>
>> Mike Kitei
>>
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