John-- I wasn't intending to actually use the CSR with MK, but just to have a look at how the other colors (including the two grays) looked on the paper. Perhaps the nozzle check is somehow different from regular printing (more ink?) and is giving me a false impression. But what I see is a very large gloss differential between ink and paper, and in certain light, a huge amount of bronzing--at certain angles it's difficult to tell the color of the patch because they just go "bronze." So, what I'm trying to avoid here is swapping out the MK only to find that I have the same problems in regular printing. I should add that I have printed only with matte papers and mk and am unfamiliar with glossy inkjet surfaces. So perhaps I am less tolerant of the "look" than others. If someone who is priting BW with CSR could print out an auto nozzle check and tell me if it is representative of the actual printing I'd be very appreciative and would be happy to send some money! Walt --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "john dean" <deanwork2003@...> wrote: > > -No, No, No, Walt. You can't use MK. It is designed for PK only. > > It works great with K3, no gloss differential really and no bronzing. > I actually use it wit K2 and it also looks great. I put a light coat > of Premier Art on it with K2 but not really necessary with K3. My > tests on the 2400 right out of the box with ABW mode were excellent, > awesome dmax for mono and color. A big difference from Premium Luster > relief look with any Ultrachrome for instance. > > John >
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Re: A Quick look at Silver Rag . . .
2006-07-04 by wwodets
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