Paul, Glad to see you finally got on the forum. The R220 R2 ink approach uses all the spots on the hextone printer. However, the 2 dark grays are the same density, and the light inks, including yellow, are all the same. So, there is a full set of inks, but there are not 6 different densities. Paul www.PaulRoark.com <http://www.paulroark.com/> _____ From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of paulmwhiting Sent: Monday, August 14, 2006 1:20 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: Re: [Digital BW] FIne Art B&W and number of black inks --- In DigitalBlackandWhit <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> eThePrint@yahoogroups.com, "Paul Roark" <paul.roark@...> wrote: Paul, (looks like I finally made it to the group, this is my first post!) In your answer to Daniela, > I personally like the additional print quality the modern hextone printer > give over the C86 or C88. So, for me the printer that gives the best for > the buck is the R220. With a black and 2 midtone densities, it does an > excellent job. That combination also allows the Epson driver to be used. > This is also an advantage in my view. Basic newbie level question here: With a black and 2 midtone densities, aren't there three empty slots in the printer? How can that work? ... or do you leave three color carts there and simply not call them up when you print? Thanks! Paul [Non-text portions of this message have been removed]
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RE: [Digital BW] FIne Art B&W and number of black inks
2006-08-14 by Paul Roark
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