I've had good luck using the " Reveal" bulb series with standard base. They fit in most light fixtures and are daylight corrected. Available in 60,100 watts. Alan Zimmerman azimmerman1@... ----- Original Message ----- From: John Moody To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: 11/14/2006 10:20 PM Subject: RE: [Digital BW] Real World Print Viewing Solux desk lamp. Best regards, John Moody -----Original Message----- From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com]On Behalf Of mbutler355 Sent: Tuesday, November 14, 2006 10:54 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: [Digital BW] Real World Print Viewing Hi All, I bought an r2400 about 2 months ago, and I'm having a good ole time with this thing. I've been following Clayton's workflow for BW. Love it. But lately I've been trying Paul's EZ Yellow system, with Clayton's workflow. My "studio/darkroom" is a spare bedroom with the computer and printer in it; it has overhead incandescent light bulbs in one of those godawful home depot glass bowls on the ceiling. Anyway, these EZs come out of the printer with what looks to me like a nasty cyan or magenta cast. Our British friends might describe the look as "plummy." They're frightening, in a way. But I like the way these prints look in my living room, which has tungsten downlights and a gallery-like atmosphere. Sometimes I walk a print out to the sun porch and view it in daylight to see how I've done. I was just wondering, without being too technical, what kind of light you use to judge prints by and know you nailed it. In the wet darkroom days, using mostly Ilford paper, I could tell instinctively I nailed it with drydown and all that. Maybe that's too much too ask with digital printing and all the different kinds of papers? (By the way, I figure my monitor is pretty well calibrated with the Monaco system.) __._,_._ [Non-text portions of this message have been removed] [Non-text portions of this message have been removed]
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Re: [Digital BW] Real World Print Viewing
2006-11-15 by Alan Zimmerman
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