Paul Roark wrote: > Ernst, > >> ... >> The line below the molecule structure pictures says: Epson\ufffds >> newly developed Claria ink is much more resistant to light and >> ozone thanks to its tightly clustered pigment molecules. > > This says to me this ink is, in fact, a pigment ink. Here's a potentially > random thought: is this Epson's entry into the un-coated pigment market? Do > you suppose they've noticed the un-coated pigs have lower bronzing and they > can't really solve the problem with their coated UC pigs? So, they enter > with a particle size that is so low that they get dye-like transparency and > non-settling, but with pigment like lightfastness. Calling it a "dye" may > be a marketing approach to signal its superior performance on glossy paper. Bronzing is a complex thing but the smaller the pigment particle the easier the penetration of that particle through the top layer of the coating on gloss paper. Either they can not encapsulate the particles due to their size or structure, on the other hand it may not be a good idea to encapsulate as they get too big to get through the membrane. The encapsulation on the K3 and the HP Vivera particles is there also to prevent the particles to clump in suspension, they do not attract one another due to the potential on the surface. So there's more done than just making them smaller. Another molecule is created as well as is mentioned in this line: "To counter this, the researchers created new chemical formations by adding additional atoms to the dye\ufffds basic molecular structure, and then engineered the molecules into tight clusters. This not only strengthened the ink\ufffds atomic bonding, better protecting it from the effects of light and gases, but also improved the quality of the ink" I don't think you can make another colorant without changing the molecule structure so that's obvious but they possibly hit on something that wasn't possible before but suits water based inkjet printing inks well. > I wonder also if the, presumably, very small particle size, but still rather > good, pigment-like stability, indicates that the particle size to > lightfastness relationship is not linear. Apparently some of these > substances simply become transparent when they oxidize. If that is the > case, then they may still function as barriers to oxidation of interior > molecules. If that is going on, then it makes sense that there would be a > non-linear relationship between size and oxidation rate. That non linearity is something I also thought about but I think they did more than making the particles smaller. I doubt they can count on the positive filtering effect of oxidised particles, smaller particle size means more total surface area if compared to bigger particles and that usually gives more fading to light and ozon. Anyway when layers become oxidised and get transparent it would result in less chroma, even if neutrality in the print is kept it would be noticed in Wilhelm's results. I really think that they found something that allowed such small particles to be stable. What intrigues me most is the lower Dmax Greg reported if compared to dye inks on matte and even K3 on matte. If the black is also pigment based and has a very small particle size there may be something going on that I remember from some silkscreen ink research. The smaller the particle size and the more uniform that size (shape and size) the more difficult it becomes to create an opaque black ink. That has to do with the stacking of the particles, for opaqueness you need some non-uniformity. Something that is found in film grain structure too. We discussed the Dmax of black dye ink in the past and I mentioned that light more or less drowns in black dye prints, like a black pond you look in at the right angle so the surface doesn't reflect. With bigger pigment particles opaqueness is created to a degree so white paper underneath is blocked but density becomes never more than the reflectance of the pigment particle surface (+ encapsulation) allows, laying down more ink the Dmax even decreases, something that is related to bronzing. I guess that the smaller uniform black pigment particle that works nicely on gloss papers considering gloss etc doesn't have the dye quality to create good black on matte paper (pond wise) but also isn't able to do it in pigment style with opaqueness. The last could become better if more ink is laid down if that doesn't result in bleeding. All speculative of course. > Yes, the Epson heads, however, appear to have the advantage of variable dot > size and smaller drops. So, smoothness may be where the piezo head > technology will have its advantage -- which is just what we see in the 260. With the new HP and Canon wide format models another approach has been taken, thermo heads can be made with droplet size variation but it isn't an advantage in this case. There is just one droplet size per ink on the HP Z3100/2100 and they used a small one for most inks: 4 pl. That's close to the minimum droplet size used on the existing Epson wide formats. The result is that the print will be smoother in all mixes and gradations than Epson's K3 wide format prints as the last will use the bigger droplets when more ink is needed. The HP and I guess the Canon (though a bit coarser) will mix everything with that fixed small droplet size. The dithering, weaving pattern is adapted to that system. On the HP, the matte black and the gloss enhancer heads use 6 pl, the first one to get the bigger matte black particles through the wider nozzle, the second one to get more varnish on the print and create an even layer. The Epson wide formats right now will be smoother in the high lights where the 3.5 pl may have a small advantage (it also depends on the LM,LC, Y and LLK ink density of the 3 manufacturers) but will not have an advantage above that level. It is interesting to see that the 3800 seems to use the smallest droplet over a longer range too than the older K3 models do. My bet is on countless many nozzles that squirt at 20Ks countless many small droplets. An interesting HP development is a static single array inkjet head that squirts pages at their full width without the head moving. See Edgeline Technology. It would be a much more expensive head in pi\ufffdzo technology. Met vriendelijke groeten, Ernst | Dinkla Grafische Techniek | | www.pigment-print.com | | ( unvollendet ) |
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Re: [Digital BW] Claria on wide format
2007-01-04 by Ernst Dinkla
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