Digital BW, The Print

I would try either the UT7 Sepia or UT-3D Lab A toner if you wanted to 
experiment with either sepia or selenium type toning respectively. 
Alternatively, if you wanted a lighter ink to give you a quadtone set 
up, you could try UT-FS-Y. That would give you a similar tone in the 
highlights to the warm R2 inks and a split tone effect if used with the 
Neutral inks.

As a matter of interest did you ever use UT-FSN inks and if so how does 
the tones of the UT-R2 Neutral inks compare?

Howard

david627890 wrote:
> I have been using my R220 with the MIS UT-R2 inkset with both Neutral 
> and Warm cartridges now for some time but would like to convert to a 
> CFS and bulk inks.  As I like to be able to vary the tone of my images 
> on an image by image basis (or even occasionally do split tones) I have 
> considered using the warm inks in C/LC and the neutral inks in M/LM (or 
> vice versa), however what should I put in the yellow spot?  Is this 
> approach sensible or should I just go for the UT-3D?  I would drive 
> either using QTR (or Bowhaus if it can drive the R220 - I haven't tried 
> yet).
> 
> Many thanks in advance for your suggestions.
> 
> David Whistance
>