My experience with the masks on adjustment layers has been mixed with regard to the bit depth. I find that I am able to see on my monitor (although not in my QTR/piezotone prints) the gradations between shades when generated from a soft brush or from the gradation tool showing through the adjustment layer especially in flat sky areas. This happens in both 8 and 16 bit modes for me. Are the layer masks 8 bit deep even when working in a 16 bit mode? More to the point at hand, Tyler, do you see any affect of the 8bit masks when applied to your 16bit file either on screen or in print? edgar
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Re: [Digital BW] Tyler's Memory Work-a-round
2007-04-14 by Edgar