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Message

2400 MIS inks--the least expensive/best way??

2007-07-07 by Seth

I am definitely going to MIS inks/carts for the 2400, but have a few
questions as to how to proceed.
 
Is it better to get the filled cart set then order all the refill tools
separately; or, order a "kit."  Since they don't include the MK, that will
be another item since I mostly (darn near only) print matte B&W.
 
Thanks,

Seth


   _____  

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] 
Sent: Saturday, July 07, 2007 06:57
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Digest Number 5148


HYPERLINK
"http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint;_ylc=X3oDMTJkbjI
ydHYxBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5MTgyBHNlYwNoZHI
Ec2xrA2hwaARzdGltZQMxMTgzODA1ODQ2"Digital BW, The Print 

Messages In This Digest (9 Messages) 



1a. 

HYPERLINK \l "BM_1a"Re: New Red River Ultrapro Satin 2.0 was RE: Epson
Premium Luster From: djon43 
1b. 

HYPERLINK \l "BM_1b"Re: New Red River Ultrapro Satin 2.0 was RE: Epson
Premium Luster From: Steven Karafyllakis 

2. 

HYPERLINK \l "BM_2"RC Papers and Curling From: robert49brake 

3a. 

HYPERLINK \l "BM_3a"Re: 3800 B/W From: CDTobie@... 

4a. 

HYPERLINK \l "BM_4a"Re: Epson 1280:  New liquid diet, or the landfill? From:
Charles Becker 

5a. 

HYPERLINK \l "BM_5a"Paper With OBAs From: Clayton Jones 
5b. 

HYPERLINK \l "BM_5b"Re: Paper With OBAs From: Jim Doyle 

6. 

HYPERLINK \l "BM_6"OT - Printing text causing clogs From: Richard Smallfield


7a. 

HYPERLINK \l "BM_7a"Heavy or light paper; cheap substitute for Moab natural
From: Arthur Fink 

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oDMTJmNjQ2bHZmBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5MTgyBH
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NkbXNnBHNsawNudHBjBHN0aW1lAzExODM4MDU4NDY-"Create New Topic 

Messages 


1a. 




HYPERLINK
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lc=X3oDMTJycjFjZ3FqBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2MzgxBHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Re: New
Red River Ultrapro Satin 2.0 was RE: Epson Premium Luster 


Posted by: "djon43" HYPERLINK "mailto:djon43@yahoo.com?Subject=
Re%3A%20New%20Red%20River%20Ultrapro%20Satin%202%2E0%20was%20RE%3A%20Epson%2
0Premium%20Luster"djon43@...   HYPERLINK
"http://profiles.yahoo.com/djon43"djon43 


Fri Jul 6, 2007 4:19 am (PST) 

Steve...I'm confused...are you saying you're using Ultrapro Satin E in
some situations? Are you saying their E is NOT stippled or are you
using a different Ultrapro surface? 

More confusion...-are you saying Innova's Ultrasmooth Gloss is an RC
paper or are you saying you like it better than RC papers? 

What printer/ink are you using? Have you compared to Kirkland Glossy?

I don't think Kirkland is RC (am I mistaken?). It's certainly among
the whitest papers I've used or seen, though not as white as my
favored cheap matte, the old Moab Kayenta, which is now being renamed
something else and enjoying a price drop. 

John 

(sorry for the hyperventillation about E... I do hate that surface
almost as much as "canvas," though I realize there's utility... :-)

--- In HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com, "Steven
Karafyllakis" <stevekphoto@-...> wrote:
>
> --- In HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com, "djon43" 
> <djon43@> wrote:
> >
> > Why does anyone like "E" surface..which was specifically sold to 
> labs
> > in the beginning as something to please your grandmother and allow
> > labs to use cheaper less-well-trained technicians.-..it didn't show
> > fingerprints. I remember that intro very clearly, when KODAK rolled 
> it
> > out, followed closely by Ilford's disgusting (!)"Pearl" surface. 
> > 
> > Folks learned to love it, much like Paris Hilton, just as they got
> > used to film damage by minilabs...now they actively like that 
> surface,
> > and even like RC paper...Red River's quite open about why they're
> > selling E.
> > 
> > On the other hand, their N surface RC is CHEAP, which is a big 
> value.
> > Can't imagine it rivals alpha-cellulose matte for beauty, but again,
> > some folks do like RC for their own reasons. ECCCH!
> > 
> > John
> > 
> A bit stridently put, but I can understand that point of view 
> perfectly well. Notice I said 'semi-matte'-, as in no stipple texture, 
> which is my preference. It makes a great deal of difference what 
> your final presentation will be, as I'm sure you realize. I've found 
> that under glass, surface texture is minimized, but a color mismatch 
> with your matboard is still perfectly obvious, so I'm willing to try 
> an E surface paper to get a better match. 
> 
> My favorite of the PK papers so far is Innova's Ultrasmooth Gloss 
> which is billed as 'bright white' as well as very glossy. I consider 
> it neither: it is warmer than most RC papers, and has a very pleasing 
> soft gloss and texture that is to my eye as close to air-dried fiber 
> glossy as I will ever need to come. But at 1.80 a sheet I will 
> reserve it for my higher priced prints. I also have an ongoing need 
> for cheap prints that will hold up well, though not necessarily to 
> full archival standards. I'm still searching...-.
> 
> Steven Karafyllakis
> 
> P.S. SOME people may have gotten used to Paris Hilton and her 
> shenanigans, but don't count me among them!!!
>


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0Premium%20Luster"Reply to group | HYPERLINK
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TgyBG1zZ0lkAzg2MzgxBHNlYwNkbXNnBHNsawN2dHBjBHN0aW1lAzExODM4MDU4NDYEdHBjSWQDO
DYyNjg-"Messages in this topic (24) 
1b. 




HYPERLINK
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lc=X3oDMTJyanQ0MmFlBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2Mzg1BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Re: New
Red River Ultrapro Satin 2.0 was RE: Epson Premium Luster 


Posted by: "Steven Karafyllakis" HYPERLINK
"mailto:stevekphoto@...?Subject=
Re%3A%20New%20Red%20River%20Ultrapro%20Satin%202%2E0%20was%20RE%3A%20Epson%2
0Premium%20Luster"stevekphoto@...   HYPERLINK
"http://profiles.yahoo.com/stevekphoto"stevekphoto 


Fri Jul 6, 2007 1:46 pm (PST) 

--- In HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com, "djon43" 
<djon43@...> wrote:
>
> Steve...I'm confused...are you saying you're using Ultrapro Satin E 
in
> some situations? 

No, I haven't tried the Ultrapro yet in any surface. I'm currently 
using Lexjet Sunset semi-mat which has almost no texture (which I 
like) but is too cold, which I don't like. I'm saying, that 
considering most if not all of my work gets displayed under glass, 
all other things being (more or less) equal I'm willing to put up 
with the stipple of an E surface in exchange for a warmer base color 
that matches matt board better.
> 
> More confusion...-are you saying Innova's Ultrasmooth Gloss is an RC
> paper or are you saying you like it better than RC papers?

No, of course its not an RC paper, I'm just noting that it has (to my 
eyes) the most attractive surface of any PK paper, RC or cotton.
> 
> What printer/ink are you using? Have you compared to Kirkland 
Glossy?

An R1800 with MIS K4 inks, and a 3800 with the OEM inks. Yes, I've 
tried Kirkland, who hasn't at this point? For B&W work it 
doesn't 'ring my bell' but I use a lot of it to proof my commercial 
work, with MIS dye inks in an R340.
> 
> I don't think Kirkland is RC (am I mistaken?).

Yes, it's an RC, it simply has a thicker cellulose base and thinner 
resin coating than some, so it feels less 'plasticky'

> It's certainly among
> the whitest papers I've used or seen, though not as white as my
> favored cheap matte, the old Moab Kayenta, which is now being 
renamed
> something else and enjoying a price drop. 

That bright-white is exactly what I'm trying to get away from, or at 
least the bluish bright-white of RC with excessive OBAs. We'll see 
how it turns out with the Ultrapro-who knows, maybe they have a semi-
matte or soft gloss in the pipeline at Red River.

Steven Karafyllakis



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0Premium%20Luster"Reply to group | HYPERLINK
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JyYzNoYmZvBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5MTgyBG1zZ0
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lc=X3oDMTM3ZDcwZnFpBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2Mzg1BHNlYwNkbXNnBHNsawN2dHBjBHN0aW1lAzExODM4MDU4NDYEdHBjSWQDO
DYyNjg-"Messages in this topic (24) 

2. 




HYPERLINK
"http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/message/86382;_y
lc=X3oDMTJydmRmZDQzBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2MzgyBHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"RC
Papers and Curling 


Posted by: "robert49brake" HYPERLINK
"mailto:robert49brake@...?Subject=
Re%3ARC%20Papers%20and%20Curling"robert49brake@...   HYPERLINK
"http://profiles.yahoo.com/robert49brake"robert49brake 


Fri Jul 6, 2007 5:31 am (PST) 

Following the recent posts on luster papers. Any one have any reports of
curling (on the 
narrow bias as opposed to roll curling) on the various RC papers. I use a
pair of R220s and 
have varying degrees of problems with curling on the short bias and the
printhead catching 
the final corners near the end of the prints. Epson PG is fine, Crane silver
rag is acceptable 
with a slight bending back of the corners before feeding. Ilford S Pearl is
terrible with a 50% 
failure rate even with severe bending back. With the Ilford I can only print
5x7s successfully 
by centering on 8.5x11 paper and I have a couple of 8x10 runs I need to do.

I need a pearl coating to finish a B&W restoration project and I'd like a
luster finish for some 
color work and as a possible alternative sometimes to silver rag (i'm
looking for a surface 
smoother than silver rag) With the luster finish I'll accept low OBAs and
minimal acid but I'm 
leery of ordering a whole box and then finding the curling problem makes it
unusable. 
Thanks in advance.


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TgyBG1zZ0lkAzg2MzgyBHNlYwNkbXNnBHNsawN2dHBjBHN0aW1lAzExODM4MDU4NDYEdHBjSWQDO
DYzODI-"Messages in this topic (1) 

3a. 




HYPERLINK
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lc=X3oDMTJya3FzbGMyBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2MzgzBHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Re: 3800
B/W 


Posted by: "CDTobie@..." HYPERLINK "mailto:CDTobie@...?Subject=
Re%3A%203800%20B%2FW"CDTobie@...   HYPERLINK
"http://profiles.yahoo.com/cdtobie"cdtobie 


Fri Jul 6, 2007 7:08 am (PST) 


In a message dated 7/5/07 5:28:40 PM, HYPERLINK
"mailto:ColinJConway%40aol.com"ColinJConway@-aol.com writes:

> Wee you aware of this and, if so, have you been able to replicate the
> alleged problem?
> 

The 3800 lays down more ink than other X800 models, and can create 
blotchiness on matte art papers. Its an issue of choosing media settings
that avoid 
excess ink laydown, while still striving for max blacks; or one can choose
media 
that do not show a visible mottling from the extra ink. I've seen this
effect 
on more than one matte art paper.

C. David Tobie
Product Technology Manager
ColorVision Business Unit
Datacolor Inc.
HYPERLINK "mailto:CDTobie%40colorvision.com"CDTobie@colorvision-.com
www.colorvision.-com

************-*********-*********-********
See what's free at 
HYPERLINK "http://www.aol.com."http://www.aol.-com.

[Non-text portions of this message have been removed]


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DYyNzc-"Messages in this topic (18) 

4a. 




HYPERLINK
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TgyBG1zZ0lkAzg2Mzg0BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Re:
Epson 1280:  New liquid diet, or the landfill? 


Posted by: "Charles Becker" HYPERLINK "mailto:gypyjunior@...?Subject=
Re%3A%20Epson%201280%3A%20%20New%20liquid%20diet%2C%20or%20the%20landfill%3F
"gypyjunior@...   HYPERLINK
"http://profiles.yahoo.com/gypyjunior"gypyjunior 


Fri Jul 6, 2007 9:45 am (PST) 

Pull the plug.

"Peter A. Klein" <HYPERLINK "mailto:pklein%402alpha.net"pklein@2alpha.-net>
wrote: I've mentioned before on the list that I've had troubles with my 
Epson 1280 with MIS Ultratone 2 carts. I've now had several 
instances where I changed cartridges, and either the greytone 
distribution or the "tint" of the prints changed. A while back, my 
Roarke curves workflow, which had worked for 2 years, just stopped 
working. Gray tones were skewed or missing. Both with the Epson 
driver and with QTR, which eliminates driver problems. 

Well, it just happened again. This time I changed to a new grayscale 
cart, and my "neutral" workflow (EZ Slider method) turned distinctly 
bluish. Changing the sliders to the "warm" settings does little to 
change this. 

And there are no clogs. Every nozzle check I print comes out fine, 
but the prints come out bluish. The Sepia ink prints out lighter than 
it should on the Purge Pattern 6 file (compared to an earlier cart's 
printout of the same file).

I should also mention that when I print a Black-Only print, I get 
slight to moderate banding. But if I print the same image twice in a 
row, the banding will be in different places.

It's possible it's the cart, but I'm coming to the conclusion that 
it's my printer. Unless MIS has much worse quality control than their 
reputation, it's just happened too many times for it to have been 
MIS' fault every time. 

So here's my question: If it is indeed the printer that's the 
problem, what are the chances that the problem would go away if I 
went back to the dye inks the printer was designed for? In other 
words, supposed I went back to color dye inks on the 1280, and 
switched to UT-R2 grayscale inks in my R200? If it worked, I could 
delay buying a 3800 for a while, and my finances would thank me. If 
it didn't work, I'm out a hundred bucks of ink and some more 
frustration.

If there's a good chance that my problems are some long-term 
consequence of using pigment inks in a printer designed for dyes, I 
might chance the color/BW switch. If it's more likely that my 1280 
is just slowly dying, maybe it's time to pull the plug.

--Peter

------------------------------------
Boardwalk for $500? In 2007? Ha! 
Play Monopoly Here and Now (it's updated for today's economy) at Yahoo!
Games.

[Non-text portions of this message have been removed]


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DYzNzc-"Messages in this topic (3) 

5a. 




HYPERLINK
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lc=X3oDMTJybHA2dmkyBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2Mzg2BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Paper
With OBAs 


Posted by: "Clayton Jones" HYPERLINK "mailto:cj@...?Subject=
Re%3APaper%20With%20OBAs"cj@...   HYPERLINK
"http://profiles.yahoo.com/cj81846"cj81846 


Fri Jul 6, 2007 7:11 pm (PST) 

Hello All,

A big problem with these kinds of discussions is that there are so
many broad assumptions underlying the questions and statements. For
example, there is the assumption that "OBAs make paper whiter", and
from that we get "all papers with OBAs will yellow with time". In
fact, neither of these is necessarily true. There are different kinds
of OBAs and they can have different effects and different longevity. 
HPR has OBAs in the coating but it is not a white paper. It's bright,
but not white. "White" and "bright" are not the same thing.

Diana York of Hawk Mtn Paper has stated (at least once in this forum
and several times during phone conversations with me when I was
researching my "Great Paper Chase" article) that for their white
papers they use a paper base that is already white to begin with and
doesn't need additional whitening. Indeed, from my own experience
with Condor BW (very bright and white), when I compared a fresh sheet
with a print that had been hanging here unprotected for over a year, I
could tell that it had lost a bit of brightness, but had not yellowed. 

In addition, there are different kinds of coatings. Some are clear
and the color we see is the paper color, and some are opaque and what
we see is the coating color. All of these things affect what kinds of
OBAs are used, if any.

So there are issues of how much OBA is used, what type, and whether
it's in the paper, the coating, or both. Hahnemuhle has stated that
the amount of OBAs in HPR (in the coating only) is very small. I've
compared fresh HPR sheets with prints that are several years old, and
like Condor, are slightly less bright but not more yellow. 

When I was researching the article I had a number of phone
conversations and email correspondence with several paper vendors
about various subjects, including OBAs. It's too much to repeat here,
but a summary of it (including a complete statement from Diana York) 
can be read in more detail in the Paper Chase article (#5 at the link
below - go to the Contents and look for the link to the OBA section).

Further, (this seems to need repeating now and then), I've got
darkroom prints from 20 years ago on papers such as Oriental Seagull
that are alpha cellulose OBA papers that are still very bright and
very white.

The point of all this is that it's a mistake to assume that OBAs are
always a kiss of doom and that all OBA containing papers will yellow,
even ones that are truly white papers. I know this makes everything
less convenient, but each paper needs to be evaluated individually.

Regards,
Clayton

Info on black and white digital printing at 
HYPERLINK
"http://www.cjcom.net/digiprnarts.htm"http://www.cjcom.-net/digiprnarts.-htm


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DYyNjg-"Messages in this topic (24) 
5b. 




HYPERLINK
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lc=X3oDMTJyOHYyNjIzBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2Mzg3BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Re:
Paper With OBAs 


Posted by: "Jim Doyle" HYPERLINK "mailto:jdoyle1713@...?Subject=
Re%3A%20Paper%20With%20OBAs"jdoyle1713@...   HYPERLINK
"http://profiles.yahoo.com/jdoyle1713"jdoyle1713 


Fri Jul 6, 2007 8:56 pm (PST) 

Nice Job Clayton!!! 

Actually now that technology has grown ( Hahnemuhle Has 10 Yr Old technology
and Its still the standard) New Coatings and bases are being developed all
the time.. The Latest That I Understand is the they are putting pigment into
the pulp or Cotton ( Base) to make it whiter and its suppose to have even
longer longevity than OBA�s.. So Its changinging everday just stay foucesed
on the paper quality and Image and use Henry�s Guidline.. It�s the best we
have.. For sure

Cheers

Jim Doyle

Shades Of Paper

600 Deer Rd Unit 4

Cherry Hill NJ 08034

856-795-7780

HYPERLINK "HYPERLINK
"http://www.shadesofpaper.com/"http://www.shadesof-paper.com/"www.shadesofpa
per.-com

_____ 

From: HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com
[mailto:HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com] On Behalf Of Clayton
Jones
Sent: Friday, July 06, 2007 10:11 PM
To: HYPERLINK
"mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com"DigitalBlackandWhit-e
ThePrint@-yahoogroups.-com
Subject: [Digital BW] Paper With OBAs

Hello All,

A big problem with these kinds of discussions is that there are so
many broad assumptions underlying the questions and statements. For
example, there is the assumption that "OBAs make paper whiter", and
from that we get "all papers with OBAs will yellow with time". In
fact, neither of these is necessarily true. There are different kinds
of OBAs and they can have different effects and different longevity. 
HPR has OBAs in the coating but it is not a white paper. It's bright,
but not white. "White" and "bright" are not the same thing.

Diana York of Hawk Mtn Paper has stated (at least once in this forum
and several times during phone conversations with me when I was
researching my "Great Paper Chase" article) that for their white
papers they use a paper base that is already white to begin with and
doesn't need additional whitening. Indeed, from my own experience
with Condor BW (very bright and white), when I compared a fresh sheet
with a print that had been hanging here unprotected for over a year, I
could tell that it had lost a bit of brightness, but had not yellowed. 

In addition, there are different kinds of coatings. Some are clear
and the color we see is the paper color, and some are opaque and what
we see is the coating color. All of these things affect what kinds of
OBAs are used, if any.

So there are issues of how much OBA is used, what type, and whether
it's in the paper, the coating, or both. Hahnemuhle has stated that
the amount of OBAs in HPR (in the coating only) is very small. I've
compared fresh HPR sheets with prints that are several years old, and
like Condor, are slightly less bright but not more yellow. 

When I was researching the article I had a number of phone
conversations and email correspondence with several paper vendors
about various subjects, including OBAs. It's too much to repeat here,
but a summary of it (including a complete statement from Diana York) 
can be read in more detail in the Paper Chase article (#5 at the link
below - go to the Contents and look for the link to the OBA section).

Further, (this seems to need repeating now and then), I've got
darkroom prints from 20 years ago on papers such as Oriental Seagull
that are alpha cellulose OBA papers that are still very bright and
very white.

The point of all this is that it's a mistake to assume that OBAs are
always a kiss of doom and that all OBA containing papers will yellow,
even ones that are truly white papers. I know this makes everything
less convenient, but each paper needs to be evaluated individually.

Regards,
Clayton

Info on black and white digital printing at 
HYPERLINK
"HYPERLINK
"http://www.cjcom.net/digiprnarts.htm"http://www.cjcom.-net/digiprnarts.-htm
"HYPERLINK
"http://www.cjcom.-net/digiprnarts.-htm"http://www.cjcom.--net/digiprnarts-.
-htm

No virus found in this incoming message.
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6:36 AM

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[Non-text portions of this message have been removed]


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6. 




HYPERLINK
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TgyBG1zZ0lkAzg2Mzg4BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"OT -
Printing text causing clogs 


Posted by: "Richard Smallfield" HYPERLINK
"mailto:r.smallfield@paradise.net.nz?Subject=
Re%3AOT%20-%20Printing%20text%20causing%20clogs"r.smallfield@...
HYPERLINK "http://profiles.yahoo.com/rich.s"rich.s 


Sat Jul 7, 2007 1:06 am (PST) 

Hi,
I'm finding that printing text in fast black only mode on my Epson 2100 is
causing repeated clogging - so I'm wasting ink doing cleaning cycles before
printing photos.

Does anyone have advice about how to avoid this? I wondered if doing text on
slow speed might help.

thanks,
Richard
--
HYPERLINK "http://smallfield.vze.com"http://smallfield.-vze.com
HYPERLINK
"http://photos.smallfield.vze.com"http://photos.-smallfield.-vze.com (Photos
web site)
HYPERLINK "http://warkworth.vze.com/"http://warkworth.-vze.com/ (Warkworth
photo essay)
HYPERLINK
"http://picasaweb.google.com/rsmallfield/"http://picasaweb.-google.com/-rsma
llfield/ (Recent work) 

"Nearly all men can stand adveristy, but if you want to test a man's
character, give him power."
--Abraham Lincoln


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DYzODg-"Messages in this topic (1) 

7a. 




HYPERLINK
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lc=X3oDMTJycnVzYWNtBF9TAzk3MzU5NzE1BGdycElkAzM3MDIzMTEEZ3Jwc3BJZAMxNzA1MDE5M
TgyBG1zZ0lkAzg2Mzg5BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzExODM4MDU4NDY-"Heavy or
light paper; cheap substitute for Moab natural 


Posted by: "Arthur Fink" HYPERLINK "mailto:af@...?Subject=
Re%3AHeavy%20or%20light%20paper%3B%20cheap%20substitute%20for%20Moab%20natur
al"af@...   HYPERLINK
"http://profiles.yahoo.com/arthurjfink"arthurjfink 


Sat Jul 7, 2007 3:09 am (PST) 

I've almost settled on Moab Entrada Natural as my paper of choice.

But that still leaves me with a question of heavy (300) or light 
(190). I'm interested in your preferences.

If I were selling loose prints, just in clear bags without any mat or 
backing, then using heavy paper would make sense. But I'm not.

Heavy paper takes longer to uncurl from the rolls, but seems to lie 
flatter. The 190 seems to bubble up a little. From my experience, 
the printing characteristics of the two papers appear to be identical.

- - -

Another question: Is there another very inexpensive natural paper 
(no OBA), with roughly the same look and feel of the Entrada? I'm 
thinking of using it for cards and some other uses ... not as a 
proofing paper (so it doesn't need to be identical).

Thanks much,

Arthur Fink

A r t h u r . F i n k . P h o t o g r a p h y
------------------------------------------------------
Ten New Island Avenue . land 207.766.5722
Peaks Island, Maine 04108 . cell 207.615.5722
www.arthurfinkphoto-.com . HYPERLINK
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More dance images www.f64gallery.-com/arthur.-html


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"http://geo.yahoo.com/serv?s=97359715/grpId=3702311/grpspId=1705019182/msgId
=5148/stime=1183805846/nc1=3848614/nc2=3848429/nc3=4507179"


No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.476 / Virus Database: 269.10.1/888 - Release Date: 7/6/2007
06:36



No virus found in this outgoing message.
Checked by AVG Free Edition. 
Version: 7.5.476 / Virus Database: 269.10.1/888 - Release Date: 7/6/2007
06:36
 


[Non-text portions of this message have been removed]

Attachments

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.