Ernst, There is this debate going on that when the Z driver adds the PK ink to the MK rag paper output (quad as apposed to Tri black) that you're not really gaining anything, and could possibly even create a very difficult mix to linearize, given the unequally spaced density dilution of the Pk ink in a Quad set up like that. What is your take on that having worked with it? I assume a carefuly controled mono rip could take more advantage if it better than the HP driver? Is the additon of the extra PK black doing anything for you vs not using it on media such as say Photorag? john In ABW > mode of the HP driver the inks used in the neutral setting > are either 4 or 3 monochrome inks for matte and 3 inks for > gloss
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Re: [Digital BW] glossy bw with a Canon iPF5100 using trueBW
2007-08-29 by john dean