Digital BW, The Print

I found this mounting option to be interesting:
http://www.art-boards.com/Archival%20mounting%20panel%206.htm

The heat activated adhesive is supposed to be reversible etc.

Did not tried their product yet as I have not found a way to protect
the front of the print... 

I am also selling some prints and looked for a way to treat the prints
so they can be hanged without a frame.

I use Moab Desert protective spray but it does not act like the
varnishes used on canvas prints.

I am still looking for a varnish that will be completely matte and
will not leave streaking marks.



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "chriskjezp"
<chriskresser@...> wrote:
>
> I recently purchased an Epson R2400 and after much trial and error
> have learned how to produce some very nice prints. I particularly like
> the fine art matte papers like Photo Rag and William Turner. So far
> I've been matting and framing them, and my house is now full of my
> work from the past two years (which is very satisfying!)
> 
> Now that my wall space is full (though I do rotate the images), I'd
> like to explore other options for displaying and presenting work. In
> particular, I'm interested in methods that showcase the texture of the
> papers I've come to love. It seems that as soon as the image goes
> behind glass/acrylic, it's difficult to get a sense of the "feel" of
> the paper anymore - which is a shame, since for me that is a big part
> of the experience of the print. Also, I tend to organize my work in
> projects, so it would be nice to have some creative methods of
> presenting finished projects.
> 
> I've seen things like the Hahnemuhle Photo Albums and Photo Rag Inkjet
> Cards, which look interesting. But I'm also curious about more
> "traditional" processes like dry mounting, etc. I'm a novice here, so
> whatever you could share would be appreciated, including links to
> books or online resources that would teach me more.
> 
> Thanks!
>