Look at how serigraphs and non-photo prints are displayed...you surely have examples in local galleries and museums. I don't think many of those print makers are as anal/narcissistic as photographers can get, so they do intend their work to be framed...and they typically use paper finer than digital printers use. Typically their prints are set back from the glass with spacers, are rarely matted, sometimes they are displayed in shadow boxes (set back quite a bit). Sometimes these even include objects, such as historic items or pressed flowers. Using "traditional" inkjet papers, which usually feature sharply cut edges, as a substitute for fondling, some photographers tear inkjet edges (eg tear 11X17 paper into 7X12 plus torn leftovers). www.inkjetart.com sells an inexpensive tool (like a deckle-edged ruler) for this purpose, but a set of various edges could cheaply be fabricated from aluminum "angle iron" stock using a power sander. "handling" isn't a good thing with fine prints (a proper gallery owner will flog you for it). John
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Re:Displaying & presenting work
2007-10-04 by john kelly
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