Hello All, It's easy to miss something here. And, I can't seem to wrap my head around this. My brain has labeled my 1270 as BO using MIS black, and, my 3000 as QTR with Quad Tones. Using QTR with a single ink for BO?? It does make some sense, but I would like to know if that is a valid approach. gar *********** REPLY SEPARATOR *********** On 1/6/08 at 11:48 AM Ernst Dinkla wrote: >Peter De Smidt wrote: >> I've recently started testing out QTR, and so far, so good. I haven't >> found any explanation of the various dithering options, though. Anyone >> know what these are? (I have searched on the QTR yahoo site, but I >> didn't find the info.) > >Enough threads on the QTR list on the dithering but I >selected one of them here, I guessed Clayton wouldn't mind: > > > >> >Hello Ernst, > > > >What are the best results with QTR and BO for the >different Dither > > >Algorithms ? The effect must be more visible in BO >printing and may > > >vary per printer and paper. I also wonder what looks >most alike the > > >Epson driver in BO mode. Just curious. > >I've been wondering that myself (haven't used QTR much yet, been >working only with the "Ordered" setting which is slightly >tighter/smoother than Epson) so your question made me go >find out. On >a 2200 w/ Eboni and my current QTR BO curve (still under >development) >I printed a step wedge on EEM for each dither setting and >compared >them. All were with 2880 and "Faster" speed setting (more >about that >below). Here are the results: > >----------------------------------------------- >Ordered - smaller patterns of dots than Epson's squigglies, >slightly >tighter pattern, slightly smoother in appearance. > >Adaptive Hybrid - tiny difference in pattern if you look >hard for it >with the loupe, but for eyeball appearance is nearly >indistinguishable >from Ordered. > >Fast - Pretty much same as Adaptive Hybrid, but under the >loupe I see >a tiny bit of dither banding. > >Very Fast - Horrible! Prints streaks of graphic patterns. > >Hybrid Floyd-Steinberg - Surprise! Very tight and smooth. >Noticeably >smoother to the eye compared to Ordered and Epson. > >EvenTone - More surprise. Ever so slightly smoother than >Hybrid FS. >----------------------------------------------- > >For a more practical test to verify the above, I printed a >landscape >with clouds, an image that has always showed up BO weakest area, >smooth midtones. It verified all of the above ramp >observations. >There is a place in the clouds with little swirling patterns >that are >barely defined in Epson BO, are a tiny bit better with >Ordered, and >are very crisp and clearly defined with HFS and EvenTone, with >EvenTone being a tiny bit the better of those. > >I am delighted. This is going to make a huge difference to >BO lovers. > Just on this one test print I can see it's an enormous >improvement, >with a greatly reduced grainy look and retains the >luminance. Now I >just need to finish working on the curve. It's still too >blocked up >at the dark end. I will post it as soon as it's done, >probably over >the coming weekend. Wahoo! Imahappycamper. Why didn't I >try this >before???!!!! Still need to test with other papers... > >About the "Speed" setting: I printed a TrueTone ramp with >Speed set to >"Better" (still 2880), and it messed up the ramp, >introducing some >bumps and streaks into what had been a smooth ramp using >"Faster" > > >Regards, >Clayton ><< > > >-- >Met vriendelijke groeten,Ernst > > >| Dinkla Grafische Techniek | >| www.pigment-print.com | >| ( unvollendet ) | > > >Please visit the Group Homepage to check the Files, and other resources as >they are often being updated. > >http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint > >If you wish to receive no emails or just a daily digest, or you wish to >unsubscribe, please edit your Membership preferences by visiting this same >page. > >Please follow these basic guidelines: >- As threads develop, trim off excess portions of earlier messages to keep >them short. >- Good manners are required at all time. 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Re: [Digital BW] QTR Dithering patterns
2008-01-06 by Gary Weaver
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