At the end..; " few photographers have ever done letter-size, >much less 16X20 contacts :-)" Well, why is that ?? Get with it : ) gar *********** REPLY SEPARATOR *********** On 9/27/2008 at 4:48 PM djon43 wrote: >Edward Weston's prints, seemingly always contacts, were superior in >every respect to Ansel Adams' enlargements in my experience. And few >darkroom photographers have made > >In that context, it would be interesting to compare enlargements to >Tyler's contacts and inkjets: I'm pretty sure the inkjets would >out-resolve the enlarged print in every case. My own testing suggests >prints from MCRX condenser enlarger with superb Rodenstock enlarging >lens is far inferior to routine scan/inkjet in most respects. > >Think whether you'd prefer a mural from an enlarger or from an inkjet >printer. I've seen a lot of both and do have a preference. > >Would reasons for that preference extend to common very small prints, >such as 11X14? I think it does. > >Comparison of inkjet to contact is interesting and very worthwhile in >the abstract (thank you Tyler), but it would be more worthwhile to >those of us with more visual and less theoretic concerns to compare >inkjet to enlargement: few photographers have ever done letter-size, >much less 16X20 contacts :-) > >
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Re: [Digital BW] Re: How tiny dots determine real resolution in a B&W ink print
2008-09-28 by Gary Weaver
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