Digital BW, The Print

Tyler, did you ever use a Wratten 90 as a viewing filter? When I was doing
large format B&W I found that could be useful in helping to appreciate the
scene monochromatically. Not a magic bullet but sometimes useful and helped
save film on occasion.

Roger


On 10/7/08 3:36 PM, "Tyler Boley" <tyler@...> wrote:

>  
>  
> 
> HI John, it's interesting to me that Bruce and I were both busily
> writing on this same issue in reply. It's a different thread than the
> OP's original questions, but it's a very big deal.
> Seeing, and all the issues that impact it positively and negatively,
> is really what it's all about. We used to call it camerawork.
> Many artists in all areas find their results and working level much
> higher when severely limiting and focusing their options to those
> applicable to the task at hand...
> I've become more and more convinced about this over the years. Too
> many guitars, too many stomp boxes, too many cameras, films,
> applications, filters, etc etc.
> 
> It's a problem in digital sometimes... too many options to see
> clearly... the forest and trees dilemma.
> Tyler



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