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Digital BW, The Print

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Re: 3-pkn / IGS - issues with dark tones

2008-11-18 by espen.aasheim

Thanks for the replies John and Paul ..

Paul,
I should have added that I use qtr with Carl Schofield's 3pkn
profiles. I edit and print in gamma 2.2 16bit. I used to use the ps
curve you linked to, Paul, when I was printing 3mk, which was what I
did the last year or so. I'll try the curve on a test print tomorrow,
but I have tried similar ones with unsatisfying results.

My workflow is: edit in 16 bit gamma 2.2, flatten, resize, save tif
16bit with profile, open in qtr(2880dpi, unidirectional, curve1
3PKN-IGS-GL,) print.

I might be doing something wrong with qtr, do I have to use all the
files in Carl S.'s /R1800_3PKN.zip perhaps? So far I just added the
quad files to the qtr quadtones folder, and have not used the others.

I'll have to read up a bit more before manually adjusting curves all
by myself... but it seems like the most probable cause for these tonal
effects right now.


sincerely,
Espen


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "pr_roark"
<pr_roark@...> wrote:
> 
> I assume you're using QTR.  People use various methods to match the 
> print to the monitor.  In QTR there are ICCs that can be used in soft 
> proofing or to convert to.  I prefer to edit in Gray Gamma 2.2, so I 
> print using a conversion curve first.  The one I use is at 
> http://www.paulroark.com/BW-Info/GG22-QTR-curve.zip 
> 
> You may, however, have other problems.
> 
> >  the darker areas look often look almost posterized 
> 
> I have not made profiles for glossy papers, since the 3MK setup is 
> for matte paper only and Eboni.  You may need to not only find the 
> best setting for dmax but also re-work the basic curves that were 
> made for the matte papers and 3 Eboni carts.  The approach that is 
> outlined in the Notes of the Dmax and Start profiles in the 1800-3MK 
> QTR folder should be helpful in finding the best ink limit for the 
> best dmax.  Those curves may also be good starting points, but you'll 
> need to look very closely at whether they are posterizing in the deep 
> shadows.  You can manually re-work those curves.
> 
> Paul
> www.PaulRoark.com
>

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