Dear Louis, You can do this easily via QTR with either the OEM or MIS inks. John 2008/12/4 Louis de Stoutz <loudest@...> > In my darkroom days, I did some experimenting with very slight split > toning, like e.g. warm shadows and cool lights, or cool shadows and warm > lights. > > I would like to be able to do that in an archival quality with carbon. > As I understand, there is no other way than to add other "things" to the > carbon, right? If I remember well, people started out adding dyes to > carbon inks, which doesn't sound very archival to me. > > Are there other (pigment based?) solutions on the market, that allow to > preserve those small, but oh so important nuances over the lifetime of > the print? Can one compose one's own mixes? Can you then control the > whole thing in PS? > > Thanks for your educative suggestions! > > Louis de Stoutz > > -- John Beeching http://johnbeeching.com/ [Non-text portions of this message have been removed]
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Re: [Digital BW] Archival carbon and split toning
2008-12-04 by John Beeching
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