Mike, I pretty much do the same with the same board. I have been using archival Tyvek tape to tape the print to the backing board, one strip across the top. May not be the best but the print can't move around at all. I don't title the prints but do sign on the right. Silver prints are dry mounted and I sign the backing board on the right. Martin ----- Original Message ----- From: "mkravit" <michael.kravit@...> To: <DigitalBlackandWhiteThePrint@yahoogroups.com> Sent: Monday, February 11, 2002 6:53 PM Subject: [Digital BW] Mounting Techniques(was Signing Prints) > I think we discuss this from time to time, but for those people that > have not read the list before, there are a number of pays to present > your images. Perhaps a few people could jump in and describe how they > present their art. > > I over matt all of my prints with Westminster Museum Boards for both > the mount board and the over mat. I like at least a 4-6" wide mat on > the top and sides and an additional 1-2" on the bottom. I do not > drymount but us Light Impression Archival Acid Free Conservation > Mounting Corners. > > I sign and date my prints with a 3B soft lead drawing pencil in the > lower right hand corner of the print. I place the title in the lower > left hand corner. For the most part I do not number my prints. > > Mike > > Michel J. Kravit, AIA > Architect/Photographer > Boca Raton, Florida >
Message
Re: [Digital BW] Mounting Techniques(was Signing Prints)
2002-02-12 by Martin Wesley
Attachments
- No local attachments were found for this message.