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Digital BW, The Print

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Re: [Digital BW] Mounting Techniques (was Signing Prints)

2002-02-12 by Alan Zinn

At 11:11 PM 2/11/2002 -0800, you wrote:
>Daniel,
>
>>I'm really interested in using mounting corners vs
>>dry mounting, but I'm concerned about warping of the
>>print from humidity, ink, time, etc.  ...
>> Has anyone seen warping on corner mounted (or
>>hinge mounted) prints when using EAM or Photo Rag 308?
>>..after being matted & framed?
> >...
>
>Getting away from the need to dry mount my silver prints is a major reason I
>love this inkjet technology.  I was never satisfied with the non-dry-mounted
>wet-darkroom prints.
>
>I now use 2 tapes to hang EAM 16x20 prints behind an over-mount, all behind
>acrylic or glass.  I'm on the central coast of CA, so the weather may be
>more forgiving.  However, I think they are virtually perfect in terms of
>flatness, and it is SO much easier and faster than dry mounting.
>
>Paul
>http://www.PaulRoark.com
>

I agree with Paul. Un-mounted silver prints for display reflect light badly.
Traditional prints - intaglio, etc, are seldom mounted.  I think matte ink
jets look very good un-mounted even if they warp a bit under the mat. Size
matters, of course. It would be interesting to try embossing an ink jet
print in the image area like an intaglio. Too arty...?


AZ
Maker of Lookaround panoramic camera.

www.geocities.com/soho/gallery/8874/
         or
keyword.com lookaround

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