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Digital BW, The Print

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your campaign

your campaign

2014-11-19 by Matti Koskinen

hi David,

Much of luck to your campaign. I really would like to contribute (a 
small amount), I'm broke as you describe your situation.

I've visited Arequipa 1987 with my wife, who is peruvian, but we're 
living here in Finland. And what a coincidence, my ImagON-HD plate is 
now hardening under UV-light. I also dreamed of a plate burner, but now 
have 300W Osram Ultra-Vitalux lamp. The exposure, depending of how the 
positive is done, but my so far best positives I've got, are from laser 
printer, and they have 53sec exposing time. I almost took an axe and 
broke my HP Z2100, it gives nice print on transparency, but I've tried 
several methods of stochastic screen, but the Moire or some other 
banding is driving me nuts. I made an aquatint screen, simply spraying 
paint on a laser transparency from quite far, but this iteration between 
exposing the aquatint and positive, isn't the simplest task. That have 
to wait for better times.

grafiskexperimentarium.dk (?) has quite a lot of diy things. I made my 
on vacuum frame as the page instructs, of course using what I have, and 
an exposing cabinet, it was quite horrible to be in the same room, while 
the plate was hardening, also the 3 minutes heating of the lamp before 
exposing gave too much UV, I really started to suffer from eyes getting 
sore.

So I'll contribute, but rather than a carbon&color print, I'd like to 
have the tiniest photogravure (mailing a big one here costs rather too 
much).

best of luck

-m

Re: [Digital BW] your campaign

2014-11-19 by David Kachel

Much of luck to your campaign. I really would like to contribute (a
small amount), I'm broke as you describe your situation.


The definition of fine art photographer\u2026 \u201cbroke\u201d!
;-)

I've visited Arequipa 1987 with my wife, who is peruvian, but we're
living here in Finland.

If you were in Peru in 1987, then you were there when I was there. Did you get to Arequipa?
My wife (ex) is Peruvian too.

And what a coincidence, my ImagON-HD plate is ;
now hardening under UV-light. I also dreamed of a plate burner, but now
have 300W Osram Ultra-Vitalux lamp. The exposure, depending of how the
positive is done, but my so far best positives I've got, are from laser
printer, and they have 53sec exposing time. I almost took an axe and
broke my HP Z2100, it gives nice print on transparency, but I've tried
several methods of stochastic screen, but the Moire or some other
banding is driving me nuts. I made an aquatint screen, simply spraying
paint on a laser transparency from quite far, but this iteration between
exposing the aquatint and positive, isn't the simplest task. That have
to wait for better times.

Actually, inkjet printers have the screen built in. You don\u2019t need a screen at all.
Watch these two videos:

If you can get your Z2100 to print with the black ink only (I think you can), then you should be able to print the image directly to the plate.
Let me know and I\u2019ll help you as much as I can.
I had a B9180 which is the smaller version of the Z2100 (no longer made) and they are problematic. But I think it might be doable.
One of the things you will probably have to do is stand at the front of the printer and aim a hair dryer at the plate as it is printing. Otherwise, you\u2019ll get track marks from the rollers and pins.

grafiskexperimentarium.dk (?) has quite a lot of diy things. I made my
on vacuum frame as the page instructs, of course using what I have, and
an exposing cabinet, it was quite horrible to be in the same room, while
the plate was hardening, also the 3 minutes heating of the lamp before
exposing gave too much UV, I really started to suffer from eyes getting
Sore.

With direct-to-plate, you don\u2019t need a vacuum.

So I'll contribute, but rather than a carbon&color print, I'd like to
have the tiniest photogravure (mailing a big one here costs rather too
much).

I\u2019ll look forward to your contribution. Thanks.


David Kachel

___________________

Artist-Photographer
Fine B&W Photographs

WEBSITE: www.davidkachel.com
BLOG: thetransparentphotographer.com
EMAIL: david@...

PO Box 93
Fort Davis, TX 79734
(432) 386-5787


Re: [Digital BW] your campaign

2014-11-19 by Mike Keller

OK, this is really interesting. I took a short weekend workshop locally a couple of years ago making intaglio prints by making transparencies on film then transferring to the solar plates (not even sure what brand that was). There were a LOT of issues with that whole process, but it really made me want to play with etching presses again. The two videos you link to are pretty cool, but my question is: are you (and Don) printing on the Imagon film which then needs to be adhered to a stiff plate after it's developed? Whereas before, you'd need to attach the film to the plate first and then expose?

Thanks.

Mike
Show quoted textHide quoted text
On Tue Nov 18 2014 at 7:54:52 PM David Kachel david@... [DigitalBlackandWhiteThePrint] <DigitalBlackandWhiteThePrint@yahoogroups.com> wrote:

Actually, inkjet printers have the screen built in. You don’t need a screen at all.
Watch these two videos:

If you can get your Z2100 to print with the black ink only (I think you can), then you should be able to print the image directly to the plate.
Let me know and I’ll help you as much as I can.
I had a B9180 which is the smaller version of the Z2100 (no longer made) and they are problematic. But I think it might be doable.
One of the things you will probably have to do is stand at the front of the printer and aim a hair dryer at the plate as it is printing. Otherwise, you’ll get track marks from the rollers and pins.
_,_._,___

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