Re: [Digital BW]
2001-08-21 by SKID Photography
Paul Roark wrote: > You wrote< > > >...paper availability. > > >'Epson Archival Matte' paper is not available in anything > >larger then Super A3,... > > I have a pre-release 24" roll of Archival Matte. (I cut it down to 17x22 > for making 16x20s in my 3000 -- works great.) > > Epson told me they would release it publicly in September. That is great! It's so discouraging that the sales force at Epson does not seem to know what the company is doing. I guess I should not be surprised that they go to the lowest common denominator. Afterall, they make their most money form the 'public' who have different needs than professionals. It would be nice if Epson set up some sort of 'professional' resource like Kodak, or Polaroid does. > I do not believe that Double Weight Matte is the same paper. However, I > have not used it. Others have confirmed that it is a different paper....So much for accurate info from Epson. > >... want to be sure that the prints are stable. > > EAM is the best inkjet printing paper I've tested in my florescent light > fade tester, using MIS and Piezo inksets. However, all ink/paper > combinations fade and warm shift. They are not in the same league as an > archivally processed silver print. I suspect that all the papers you have tried have brighteners in them, and it's the brighteners that are unstable. But as an aside, Ilford's Multigrade Fiber paper (which is supposed to be archival) also has brighteners in it and they too, change color and warm up when exposed to light, over time. :- ( According to the Crane paper people, the Epson Smooth Fine Art paper (that they make for Epson) does not have brighteners in it, and should not shift color. I don't know how well it accepts inks though, i.e. Does it have deep rich blacks? Harvey Ferdschneider partner, SKID Photogrpahy, NYC [Non-text portions of this message have been removed]