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Fred Picker wasRe: [Digital BW] Random Thoughts

Fred Picker wasRe: [Digital BW] Random Thoughts

2002-04-05 by Martin Wesley

Andy,

One of my favorite Fred moments was when he was critiquing readers prints
for Photo Techniques(?). Someone sent in a typical New England shot of a
mill complete with water wheel and pond. The magazine reproduction was too
small and low quality for the readers to really see anything but it didn't
look too bad. Fred was not gentle. The photographer had written that the
shot was not quite as sharp as it could have been because he didn't want to
take his tripod out of the car. Fred went orbital and made the statement to
the effect that: If the picture isn't worth using a tripod it isn't worth
taking. Which out of context caused a nice flap. I think that was the last
reader review he did for the magazine.

It is a great shame he is gone and I can't help but wonder what he would of
thought of all this digital B&W. Now he would have been a lively group
member!

Martin

----- Original Message -----
From: "Andrew Biggs" <abiggs@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Thursday, April 04, 2002 11:58 PM
Subject: RE: [Digital BW] Random Thoughts


> Martin-
>
> When I think of Fred, yes, I think of sometimes polarizing views. I
> chuckle when I think of his saying that 'you cannot shoot pictures of
> cows or of covered bridges. They have all been taken too many times".
> Only from Fred. Only from Fred. He taught us the intricacies of tones
> and the zone system, and then told us what we could and could not take
> pictures of.
>
> Laughing out loud. Lord, take Fred and take care of him. Just don't piss
> him off.
>
> Andy
>
> -----Original Message-----
> From: Martin Wesley [mailto:mwesley250@...]
> Sent: Thursday, April 04, 2002 11:53 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Random Thoughts
>
>
> Andy,
>
> Thanks for letting us know. His name came up today in a post and my
> reply. I was wondering what had become of him after he sold Zone VI to
> Calumet. His book got me going in the right direction. I don't even know
> how many of his great products I have but it is a fair number. A man of
> strong opinions. Sometimes irritating, frequently insightful and ever
> dedicated to improving the art and the craft of B&W photography.
>
> I hope that someone will mount a retrospective of his work, as that
> would be a most fitting tribute.
>
> Martin
>
> ----- Original Message -----
> From: "Andrew Biggs" <abiggs@...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Thursday, April 04, 2002 11:20 PM
> Subject: RE: [Digital BW] Random Thoughts
>
>
> > I know this is a little off topic, but tied in, nonetheless.
> >
> > Fred Picker passed away today. The announcement was made over in the
> > large format users' group forum:
> >
> > http://hv.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=008dPB
> >
> > I thought those who learned their skills from Fred, whether in person
> > or through his books, enlargers, cameras, light meters, etc. would
> > want to know.
> >
> > God rest his soul.
> >
> > Andy
> >
> > -----Original Message-----
> > From: Martin Wesley [mailto:mwesley250@...]
> > Sent: Thursday, April 04, 2002 11:14 PM
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: Re: [Digital BW] Random Thoughts
> >
> >
> > Roger,
> >
> > In general I agree with your thoughts. I found my way to the Zone
> > System via Fred Picker's book before I picked up the Adams trilogy.
> > Fred always seemed to come up with terribly outrageous statements
> > intermixed with gems of simple wisdom. I can't say that I would
> > recommend his writings to anyone at this point but he did say one
> > thing that has stuck with me.
> >
> > Find someone whose prints you really like and then find out how they
> > do it.
> >
> > It is in the "how they do it" part that we can't help but get
> > embroiled in technical "discussions". I went from Picker, to Adams, to
>
> > using a densitometer and on to doing some very extensive film,
> > development and paper testing. I certainly do not see that as a
> > necessity to producing great art but at the same time I do feel that I
>
> > benefited a great deal by increasing my understanding of how it all
> > worked. In the end this let me step back from a strict application of
> > the Zone System to my own way of working that is Zone based but a bit
> > more intuitive. Maybe it was just all the practice.
> >
> > I do have to point out that if no one was measuring printouts of step
> > tablets there would be no curves, no drivers and no workflows for us
> > to print with. It can also be extremely helpful in figuring out what
> > is going wrong when you hit a problem.
> >
> > This is a very new technology compared to photography as a whole and
> > the scope of the technical issues is much greater. It is going to take
>
> > us awhile to determine which of those issues are critical and which we
>
> > can safely ignore.
> >
> > We have to keep in mind that even though me may have mastered
> > conventional photographic printing this is a whole new ballgame and
> > there are no real experts yet. The technology needs to settle a bit
> > and we need to put in the practice time with these new digital tools.
> >
> > Martin Wesley
> >
> > ----- Original Message -----
> > From: "rlsopher" <rlsopher@...>
> > To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> > Sent: Thursday, April 04, 2002 11:53 AM
> > Subject: [Digital BW] Random Thoughts
> >
> >
> > > Not to be a complete nihilist and fun as it is to become embroiled
> > > in technical arguments, they really don't, to my view, address the
> > > final result which is to produce a print that "says something."
> > >
> > > Fred Picker used to make the point that to make a great print you
> > > had to see it as it was going to hang on the wall about the time you
>
> > > snapped the shutter. He taught technique just so far as to give one
> > > the tools to produce a good print of archival quality and spent most
>
> > > of the time in his workshops trying to teach people to see, a far
> > > more
> >
> > > difficult task than learning how to develop and print. In my
> > > experience there are far more good printers than good photographers.
> > >
> > >
> > > Seems to me that thanks to a few noble souls digital B&W is
> > > approaching, perhaps now equalling, good silver prints and the tools
>
> > > are now there to be used. The tools have to be mastered to be sure
> > > but
> >
> > > measuring the density of innumerable step wedges isn't going to
> > > produce a single memorable image. Somethimes I wonder if having the
> > > ability to modify so many parameters compared to wet printing we
> > > wander in the trees and have lost the forest.
> > >
> > > Roger
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > Please visit the Group Homepage to check the Files, Bookmarks, Polls
>
> > > and
> > other resources as they are often being updated. The page is at:
> > >
> > > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> > >
> > > Please follow these basic guidelines:
> > > - Include your full name with your message.
> > > - Include the address of your website, if you have one.
> > > - As threads develop, trim off excess portions of earlier messages
> > > to keep
> > them short.
> > > - As the topic of a thread changes remember to change the subject
> > > header.
> > > - Good manners are required at all time. No personal attacks or
> > "flames."
> > > - Complete your Yahoo profile.
> > > - Before posting a question, search the message archives and the
> > various
> > resources on the homepage.
> > >
> > >
> > >
> > >
> > > Your use of Yahoo! Groups is subject to
> > > http://docs.yahoo.com/info/terms/
> > >
> > >
> > >
> >
> >
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls
> > and other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
> > keep them short.
> > - As the topic of a thread changes remember to change the subject
> > header.
> > - Good manners are required at all time. No personal attacks or
> > "flames."
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the
> > various resources on the homepage.
> >
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
> > http://docs.yahoo.com/info/terms/
> >
> >
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls
> > and
> other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
> > keep
> them short.
> > - As the topic of a thread changes remember to change the subject
> > header.
> > - Good manners are required at all time. No personal attacks or
> "flames."
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the
> various
> resources on the homepage.
> >
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
> > http://docs.yahoo.com/info/terms/
> >
> >
> >
>
>
>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to
> keep them short.
> - As the topic of a thread changes remember to change the subject
> header.
> - Good manners are required at all time. No personal attacks or
> "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
> resources on the homepage.
>
>
>
>
> Your use of Yahoo! Groups is subject to
> http://docs.yahoo.com/info/terms/
>
>
>
>
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
resources on the homepage.
Show quoted textHide quoted text
>
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>

Re: Fred Picker wasRe: [Digital BW] Random Thoughts

2002-04-05 by Todd Flashner

My only direct contact with him was pretty funny to me. I had bought my
Beseler 4x5 from Zone VI, but without a lens. He was a big proponent of
coldlight heads and longer than standard focal length lenses for any given
format. Regardless of what anybody thinks of coldlight vs condenser, the
coldlight does tend to give more even corner illumination than condensers
set to their "normal" position. But I digress...

Anyway, when it came to buy a lens I called to ask what he thought would be
the better lens, a 75mm Schneider or the 63mm Nikon. His answer to me was,
whatever I did there was no way to get a good 16x20 print from a 35mm neg.

Thanks Fred...

Todd
Show quoted textHide quoted text
> Andy,
> 
> One of my favorite Fred moments was when he was critiquing readers prints
> for Photo Techniques(?). Someone sent in a typical New England shot of a
> mill complete with water wheel and pond. The magazine reproduction was too
> small and low quality for the readers to really see anything but it didn't
> look too bad. Fred was not gentle. The photographer had written that the
> shot was not quite as sharp as it could have been because he didn't want to
> take his tripod out of the car. Fred went orbital and made the statement to
> the effect that: If the picture isn't worth using a tripod it isn't worth
> taking. Which out of context caused a nice flap. I think that was the last
> reader review he did for the magazine.
> 
> It is a great shame he is gone and I can't help but wonder what he would of
> thought of all this digital B&W. Now he would have been a lively group
> member!
> 
> Martin
> 
> ----- Original Message -----
> From: "Andrew Biggs" <abiggs@...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Thursday, April 04, 2002 11:58 PM
> Subject: RE: [Digital BW] Random Thoughts
> 
> 
>> Martin-
>> 
>> When I think of Fred, yes, I think of sometimes polarizing views. I
>> chuckle when I think of his saying that 'you cannot shoot pictures of
>> cows or of covered bridges. They have all been taken too many times".
>> Only from Fred. Only from Fred. He taught us the intricacies of tones
>> and the zone system, and then told us what we could and could not take
>> pictures of.
>> 
>> Laughing out loud. Lord, take Fred and take care of him. Just don't piss
>> him off.
>> 
>> Andy
>> 
>> -----Original Message-----
>> From: Martin Wesley [mailto:mwesley250@...]
>> Sent: Thursday, April 04, 2002 11:53 PM
>> To: DigitalBlackandWhiteThePrint@yahoogroups.com
>> Subject: Re: [Digital BW] Random Thoughts
>> 
>> 
>> Andy,
>> 
>> Thanks for letting us know. His name came up today in a post and my
>> reply. I was wondering what had become of him after he sold Zone VI to
>> Calumet. His book got me going in the right direction. I don't even know
>> how many of his great products I have but it is a fair number. A man of
>> strong opinions. Sometimes irritating, frequently insightful and ever
>> dedicated to improving the art and the craft of B&W photography.
>> 
>> I hope that someone will mount a retrospective of his work, as that
>> would be a most fitting tribute.
>> 
>> Martin
>> 
>> ----- Original Message -----
>> From: "Andrew Biggs" <abiggs@...>
>> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>> Sent: Thursday, April 04, 2002 11:20 PM
>> Subject: RE: [Digital BW] Random Thoughts
>> 
>> 
>>> I know this is a little off topic, but tied in, nonetheless.
>>> 
>>> Fred Picker passed away today. The announcement was made over in the
>>> large format users' group forum:
>>> 
>>> http://hv.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=008dPB
>>> 
>>> I thought those who learned their skills from Fred, whether in person
>>> or through his books, enlargers, cameras, light meters, etc. would
>>> want to know.
>>> 
>>> God rest his soul.
>>> 
>>> Andy
>>> 
>>> -----Original Message-----
>>> From: Martin Wesley [mailto:mwesley250@...]
>>> Sent: Thursday, April 04, 2002 11:14 PM
>>> To: DigitalBlackandWhiteThePrint@yahoogroups.com
>>> Subject: Re: [Digital BW] Random Thoughts
>>> 
>>> 
>>> Roger,
>>> 
>>> In general I agree with your thoughts. I found my way to the Zone
>>> System via Fred Picker's book before I picked up the Adams trilogy.
>>> Fred always seemed to come up with terribly outrageous statements
>>> intermixed with gems of simple wisdom. I can't say that I would
>>> recommend his writings to anyone at this point but he did say one
>>> thing that has stuck with me.
>>> 
>>> Find someone whose prints you really like and then find out how they
>>> do it.
>>> 
>>> It is in the "how they do it" part that we can't help but get
>>> embroiled in technical "discussions". I went from Picker, to Adams, to
>> 
>>> using a densitometer and on to doing some very extensive film,
>>> development and paper testing. I certainly do not see that as a
>>> necessity to producing great art but at the same time I do feel that I
>> 
>>> benefited a great deal by increasing my understanding of how it all
>>> worked. In the end this let me step back from a strict application of
>>> the Zone System to my own way of working that is Zone based but a bit
>>> more intuitive. Maybe it was just all the practice.
>>> 
>>> I do have to point out that if no one was measuring printouts of step
>>> tablets there would be no curves, no drivers and no workflows for us
>>> to print with. It can also be extremely helpful in figuring out what
>>> is going wrong when you hit a problem.
>>> 
>>> This is a very new technology compared to photography as a whole and
>>> the scope of the technical issues is much greater. It is going to take
>> 
>>> us awhile to determine which of those issues are critical and which we
>> 
>>> can safely ignore.
>>> 
>>> We have to keep in mind that even though me may have mastered
>>> conventional photographic printing this is a whole new ballgame and
>>> there are no real experts yet. The technology needs to settle a bit
>>> and we need to put in the practice time with these new digital tools.
>>> 
>>> Martin Wesley
>>> 
>>> ----- Original Message -----
>>> From: "rlsopher" <rlsopher@...>
>>> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>>> Sent: Thursday, April 04, 2002 11:53 AM
>>> Subject: [Digital BW] Random Thoughts
>>> 
>>> 
>>>> Not to be a complete nihilist and fun as it is to become embroiled
>>>> in technical arguments, they really don't, to my view, address the
>>>> final result which is to produce a print that "says something."
>>>> 
>>>> Fred Picker used to make the point that to make a great print you
>>>> had to see it as it was going to hang on the wall about the time you
>> 
>>>> snapped the shutter. He taught technique just so far as to give one
>>>> the tools to produce a good print of archival quality and spent most
>> 
>>>> of the time in his workshops trying to teach people to see, a far
>>>> more
>>> 
>>>> difficult task than learning how to develop and print. In my
>>>> experience there are far more good printers than good photographers.
>>>> 
>>>> 
>>>> Seems to me that thanks to a few noble souls digital B&W is
>>>> approaching, perhaps now equalling, good silver prints and the tools
>> 
>>>> are now there to be used. The tools have to be mastered to be sure
>>>> but
>>> 
>>>> measuring the density of innumerable step wedges isn't going to
>>>> produce a single memorable image. Somethimes I wonder if having the
>>>> ability to modify so many parameters compared to wet printing we
>>>> wander in the trees and have lost the forest.
>>>> 
>>>> Roger
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> 
>>>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
>> 
>>>> and
>>> other resources as they are often being updated. The page is at:
>>>> 
>>>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>>>> 
>>>> Please follow these basic guidelines:
>>>> - Include your full name with your message.
>>>> - Include the address of your website, if you have one.
>>>> - As threads develop, trim off excess portions of earlier messages
>>>> to keep
>>> them short.
>>>> - As the topic of a thread changes remember to change the subject
>>>> header.
>>>> - Good manners are required at all time. No personal attacks or
>>> "flames."
>>>> - Complete your Yahoo profile.
>>>> - Before posting a question, search the message archives and the
>>> various
>>> resources on the homepage.
>>>> 
>>>> 
>>>> 
>>>> 
>>>> Your use of Yahoo! Groups is subject to
>>>> http://docs.yahoo.com/info/terms/
>>>> 
>>>> 
>>>> 
>>> 
>>> 
>>> 
>>> 
>>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
>>> and other resources as they are often being updated. The page is at:
>>> 
>>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>>> 
>>> Please follow these basic guidelines:
>>> - Include your full name with your message.
>>> - Include the address of your website, if you have one.
>>> - As threads develop, trim off excess portions of earlier messages to
>>> keep them short.
>>> - As the topic of a thread changes remember to change the subject
>>> header.
>>> - Good manners are required at all time. No personal attacks or
>>> "flames."
>>> - Complete your Yahoo profile.
>>> - Before posting a question, search the message archives and the
>>> various resources on the homepage.
>>> 
>>> 
>>> 
>>> 
>>> Your use of Yahoo! Groups is subject to
>>> http://docs.yahoo.com/info/terms/
>>> 
>>> 
>>> 
>>> 
>>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
>>> and
>> other resources as they are often being updated. The page is at:
>>> 
>>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>>> 
>>> Please follow these basic guidelines:
>>> - Include your full name with your message.
>>> - Include the address of your website, if you have one.
>>> - As threads develop, trim off excess portions of earlier messages to
>>> keep
>> them short.
>>> - As the topic of a thread changes remember to change the subject
>>> header.
>>> - Good manners are required at all time. No personal attacks or
>> "flames."
>>> - Complete your Yahoo profile.
>>> - Before posting a question, search the message archives and the
>> various
>> resources on the homepage.
>>> 
>>> 
>>> 
>>> 
>>> Your use of Yahoo! Groups is subject to
>>> http://docs.yahoo.com/info/terms/
>>> 
>>> 
>>> 
>> 
>> 
>> 
>> 
>> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
>> other resources as they are often being updated. The page is at:
>> 
>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>> 
>> Please follow these basic guidelines:
>> - Include your full name with your message.
>> - Include the address of your website, if you have one.
>> - As threads develop, trim off excess portions of earlier messages to
>> keep them short.
>> - As the topic of a thread changes remember to change the subject
>> header.
>> - Good manners are required at all time. No personal attacks or
>> "flames."
>> - Complete your Yahoo profile.
>> - Before posting a question, search the message archives and the various
>> resources on the homepage.
>> 
>> 
>> 
>> 
>> Your use of Yahoo! Groups is subject to
>> http://docs.yahoo.com/info/terms/
>> 
>> 
>> 
>> 
>> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
>> 
>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>> 
>> Please follow these basic guidelines:
>> - Include your full name with your message.
>> - Include the address of your website, if you have one.
>> - As threads develop, trim off excess portions of earlier messages to keep
> them short.
>> - As the topic of a thread changes remember to change the subject header.
>> - Good manners are required at all time. No personal attacks or "flames."
>> - Complete your Yahoo profile.
>> - Before posting a question, search the message archives and the various
> resources on the homepage.
>> 
>> 
>> 
>> 
>> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>> 
>> 
>> 
> 
> 
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other
> resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
> them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
> resources on the homepage.
> 
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
> 
>

Re: Fred Picker wasRe: [Digital BW] Random Thoughts

2002-04-07 by Len

I had the good fortune to participate in one of the Zone VI Workshops in Putney back in the late '70's, when Fred and Paul Horowitz began to bounce off each other (on light meter technology), but I don't recall Fred as irascible; maybe he had things more under control back then.  Anyway, the highlight of the Workshop was Fred's printing demonstration, when he took four or five of  us at a time into his darkroom and made a print, with a running commentary and responding to questions:  a truly virtuoso performance.  I believe he exemplified the fusion of photographic art and craft.

Len
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Todd Flashner 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, April 05, 2002 3:23 PM
  Subject: Re: Fred Picker wasRe: [Digital BW] Random Thoughts


  My only direct contact with him was pretty funny to me. I had bought my
  Beseler 4x5 from Zone VI, but without a lens. He was a big proponent of
  coldlight heads and longer than standard focal length lenses for any given
  format. Regardless of what anybody thinks of coldlight vs condenser, the
  coldlight does tend to give more even corner illumination than condensers
  set to their "normal" position. But I digress...

  Anyway, when it came to buy a lens I called to ask what he thought would be
  the better lens, a 75mm Schneider or the 63mm Nikon. His answer to me was,
  whatever I did there was no way to get a good 16x20 print from a 35mm neg.

  Thanks Fred...

  Todd

  > Andy,
  > 
  > One of my favorite Fred moments was when he was critiquing readers prints
  > for Photo Techniques(?). Someone sent in a typical New England shot of a
  > mill complete with water wheel and pond. The magazine reproduction was too
  > small and low quality for the readers to really see anything but it didn't
  > look too bad. Fred was not gentle. The photographer had written that the
  > shot was not quite as sharp as it could have been because he didn't want to
  > take his tripod out of the car. Fred went orbital and made the statement to
  > the effect that: If the picture isn't worth using a tripod it isn't worth
  > taking. Which out of context caused a nice flap. I think that was the last
  > reader review he did for the magazine.
  > 
  > It is a great shame he is gone and I can't help but wonder what he would of
  > thought of all this digital B&W. Now he would have been a lively group
  > member!
  > 
  > Martin
  > 
  > ----- Original Message -----
  > From: "Andrew Biggs" <abiggs@...>
  > To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
  > Sent: Thursday, April 04, 2002 11:58 PM
  > Subject: RE: [Digital BW] Random Thoughts
  > 
  > 
  >> Martin-
  >> 
  >> When I think of Fred, yes, I think of sometimes polarizing views. I
  >> chuckle when I think of his saying that 'you cannot shoot pictures of
  >> cows or of covered bridges. They have all been taken too many times".
  >> Only from Fred. Only from Fred. He taught us the intricacies of tones
  >> and the zone system, and then told us what we could and could not take
  >> pictures of.
  >> 
  >> Laughing out loud. Lord, take Fred and take care of him. Just don't piss
  >> him off.
  >> 
  >> Andy
  >> 
  >> -----Original Message-----
  >> From: Martin Wesley [mailto:mwesley250@...]
  >> Sent: Thursday, April 04, 2002 11:53 PM
  >> To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >> Subject: Re: [Digital BW] Random Thoughts
  >> 
  >> 
  >> Andy,
  >> 
  >> Thanks for letting us know. His name came up today in a post and my
  >> reply. I was wondering what had become of him after he sold Zone VI to
  >> Calumet. His book got me going in the right direction. I don't even know
  >> how many of his great products I have but it is a fair number. A man of
  >> strong opinions. Sometimes irritating, frequently insightful and ever
  >> dedicated to improving the art and the craft of B&W photography.
  >> 
  >> I hope that someone will mount a retrospective of his work, as that
  >> would be a most fitting tribute.
  >> 
  >> Martin
  >> 
  >> ----- Original Message -----
  >> From: "Andrew Biggs" <abiggs@...>
  >> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
  >> Sent: Thursday, April 04, 2002 11:20 PM
  >> Subject: RE: [Digital BW] Random Thoughts
  >> 
  >> 
  >>> I know this is a little off topic, but tied in, nonetheless.
  >>> 
  >>> Fred Picker passed away today. The announcement was made over in the
  >>> large format users' group forum:
  >>> 
  >>> http://hv.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=008dPB
  >>> 
  >>> I thought those who learned their skills from Fred, whether in person
  >>> or through his books, enlargers, cameras, light meters, etc. would
  >>> want to know.
  >>> 
  >>> God rest his soul.
  >>> 
  >>> Andy
  >>> 
  >>> -----Original Message-----
  >>> From: Martin Wesley [mailto:mwesley250@...]
  >>> Sent: Thursday, April 04, 2002 11:14 PM
  >>> To: DigitalBlackandWhiteThePrint@yahoogroups.com
  >>> Subject: Re: [Digital BW] Random Thoughts
  >>> 
  >>> 
  >>> Roger,
  >>> 
  >>> In general I agree with your thoughts. I found my way to the Zone
  >>> System via Fred Picker's book before I picked up the Adams trilogy.
  >>> Fred always seemed to come up with terribly outrageous statements
  >>> intermixed with gems of simple wisdom. I can't say that I would
  >>> recommend his writings to anyone at this point but he did say one
  >>> thing that has stuck with me.
  >>> 
  >>> Find someone whose prints you really like and then find out how they
  >>> do it.
  >>> 
  >>> It is in the "how they do it" part that we can't help but get
  >>> embroiled in technical "discussions". I went from Picker, to Adams, to
  >> 
  >>> using a densitometer and on to doing some very extensive film,
  >>> development and paper testing. I certainly do not see that as a
  >>> necessity to producing great art but at the same time I do feel that I
  >> 
  >>> benefited a great deal by increasing my understanding of how it all
  >>> worked. In the end this let me step back from a strict application of
  >>> the Zone System to my own way of working that is Zone based but a bit
  >>> more intuitive. Maybe it was just all the practice.
  >>> 
  >>> I do have to point out that if no one was measuring printouts of step
  >>> tablets there would be no curves, no drivers and no workflows for us
  >>> to print with. It can also be extremely helpful in figuring out what
  >>> is going wrong when you hit a problem.
  >>> 
  >>> This is a very new technology compared to photography as a whole and
  >>> the scope of the technical issues is much greater. It is going to take
  >> 
  >>> us awhile to determine which of those issues are critical and which we
  >> 
  >>> can safely ignore.
  >>> 
  >>> We have to keep in mind that even though me may have mastered
  >>> conventional photographic printing this is a whole new ballgame and
  >>> there are no real experts yet. The technology needs to settle a bit
  >>> and we need to put in the practice time with these new digital tools.
  >>> 
  >>> Martin Wesley
  >>> 
  >>> ----- Original Message -----
  >>> From: "rlsopher" <rlsopher@...>
  >>> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
  >>> Sent: Thursday, April 04, 2002 11:53 AM
  >>> Subject: [Digital BW] Random Thoughts
  >>> 
  >>> 
  >>>> Not to be a complete nihilist and fun as it is to become embroiled
  >>>> in technical arguments, they really don't, to my view, address the
  >>>> final result which is to produce a print that "says something."
  >>>> 
  >>>> Fred Picker used to make the point that to make a great print you
  >>>> had to see it as it was going to hang on the wall about the time you
  >> 
  >>>> snapped the shutter. He taught technique just so far as to give one
  >>>> the tools to produce a good print of archival quality and spent most
  >> 
  >>>> of the time in his workshops trying to teach people to see, a far
  >>>> more
  >>> 
  >>>> difficult task than learning how to develop and print. In my
  >>>> experience there are far more good printers than good photographers.
  >>>> 
  >>>> 
  >>>> Seems to me that thanks to a few noble souls digital B&W is
  >>>> approaching, perhaps now equalling, good silver prints and the tools
  >> 
  >>>> are now there to be used. The tools have to be mastered to be sure
  >>>> but
  >>> 
  >>>> measuring the density of innumerable step wedges isn't going to
  >>>> produce a single memorable image. Somethimes I wonder if having the
  >>>> ability to modify so many parameters compared to wet printing we
  >>>> wander in the trees and have lost the forest.
  >>>> 
  >>>> Roger
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
  >> 
  >>>> and
  >>> other resources as they are often being updated. The page is at:
  >>>> 
  >>>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  >>>> 
  >>>> Please follow these basic guidelines:
  >>>> - Include your full name with your message.
  >>>> - Include the address of your website, if you have one.
  >>>> - As threads develop, trim off excess portions of earlier messages
  >>>> to keep
  >>> them short.
  >>>> - As the topic of a thread changes remember to change the subject
  >>>> header.
  >>>> - Good manners are required at all time. No personal attacks or
  >>> "flames."
  >>>> - Complete your Yahoo profile.
  >>>> - Before posting a question, search the message archives and the
  >>> various
  >>> resources on the homepage.
  >>>> 
  >>>> 
  >>>> 
  >>>> 
  >>>> Your use of Yahoo! Groups is subject to
  >>>> http://docs.yahoo.com/info/terms/
  >>>> 
  >>>> 
  >>>> 
  >>> 
  >>> 
  >>> 
  >>> 
  >>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
  >>> and other resources as they are often being updated. The page is at:
  >>> 
  >>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  >>> 
  >>> Please follow these basic guidelines:
  >>> - Include your full name with your message.
  >>> - Include the address of your website, if you have one.
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  >>> keep them short.
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  >>> various resources on the homepage.
  >>> 
  >>> 
  >>> 
  >>> 
  >>> Your use of Yahoo! Groups is subject to
  >>> http://docs.yahoo.com/info/terms/
  >>> 
  >>> 
  >>> 
  >>> 
  >>> Please visit the Group Homepage to check the Files, Bookmarks, Polls
  >>> and
  >> other resources as they are often being updated. The page is at:
  >>> 
  >>> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  >>> 
  >>> Please follow these basic guidelines:
  >>> - Include your full name with your message.
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  >>> keep
  >> them short.
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  >>> header.
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  >> "flames."
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  >> various
  >> resources on the homepage.
  >>> 
  >>> 
  >>> 
  >>> 
  >>> Your use of Yahoo! Groups is subject to
  >>> http://docs.yahoo.com/info/terms/
  >>> 
  >>> 
  >>> 
  >> 
  >> 
  >> 
  >> 
  >> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
  >> other resources as they are often being updated. The page is at:
  >> 
  >> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  >> 
  >> Please follow these basic guidelines:
  >> - Include your full name with your message.
  >> - Include the address of your website, if you have one.
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  >> keep them short.
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  >> - Good manners are required at all time. No personal attacks or
  >> "flames."
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  >> - Before posting a question, search the message archives and the various
  >> resources on the homepage.
  >> 
  >> 
  >> 
  >> 
  >> Your use of Yahoo! Groups is subject to
  >> http://docs.yahoo.com/info/terms/
  >> 
  >> 
  >> 
  >> 
  >> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
  > other resources as they are often being updated. The page is at:
  >> 
  >> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  >> 
  >> Please follow these basic guidelines:
  >> - Include your full name with your message.
  >> - Include the address of your website, if you have one.
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  > them short.
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  >> - Good manners are required at all time. No personal attacks or "flames."
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  >> - Before posting a question, search the message archives and the various
  > resources on the homepage.
  >> 
  >> 
  >> 
  >> 
  >> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
  >> 
  >> 
  >> 
  > 
  > 
  > 
  > 
  > Please visit the Group Homepage to check the Files, Bookmarks, Polls and other
  > resources as they are often being updated. The page is at:
  > 
  > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
  > 
  > Please follow these basic guidelines:
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  > resources on the homepage.
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  > 
  > 
  > 
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  > 


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[Non-text portions of this message have been removed]

Re: Fred Picker

2002-04-15 by James Haney

My Fred Picker experience to add to the collective consciousness:

In the late 80¹s I was working as a photographer¹s assistant and became
disenchanted with the future prospects of my being a commercial photographer
and producing images to someone else¹s blueprints. I didn¹t want to be an
image mechanic. The act of creating images was far too personal to outsource
the creativity to realize another¹s vision.

I was considering graduate schools to attend to pursue a masters degree in
photography, re-group and figure out my next steps and decided to call up a
few photographers whose work I admired for their advice.

I called Zone VI and asked if I might arrange a time to talk to Fred. I was
immediately connected to him and began to tell him my story and situation.
Fred¹s response sticks with me to this day and I am constantly re-quoting it
in unlikely situations.

Fred uttered an audible sigh and said, ³Well, James do you want me to
bullshit with you for twenty or thirty minutes or do you want me to get
right to the point?²

Considering this an entirely rhetorical question, and taken aback by his
frankness, I smiled on my end of the phone and replied, ³I guess I would
like to get right to the point.²

And of course, Fred spared no words getting on with it. ³You need to get a
job making enough money and giving you enough time to make the pictures you
want to make. I am not a photographer for a living, I run a mail order
business that happens to service the photography industry. It gives me
enough money and enough time to fly to the places in the world where I like
to take pictures. It isn¹t about doing what you love to make a living, but
making a living to do what you love.²

That was it. I am sure some other pleasantries were exchanged, but if they
were I don¹t remember them. I remember the pure simple honesty in the
delivery which was not harsh, crotchety or brutal, but simple and accurate
and above all efficient.

I ended up going to graduate school after all and I must say it did very
little for me creatively or professionally in terms of preparing me for a
further career. After slogging through a brutally difficult effort producing
a master¹s thesis where I had to exhaustively justify every creative
decision in my ³body of imagery² I graduated, entered the work force and
stashed every camera I had in a closet for about five years.

After that point, with a growing  career tangentially related to art and
photography I was able to get the equipment back out with no agenda or
distractions and resume photography with the same pure, emotional attachment
I had as an amateur.

Now I am making images for myself, unashamedly taking pictures of children
and flowers and urban images where there is virtually nothing new to say
artistically and not in any way interested in its commercial potential, and
I am loving every minute of it.

Digital B&W has returned me to the days of personal expression and discovery
that fed my soul and got me interested in this stuff in the first place.

I appreciate Fred for his frankness and insight which has proven just as
true for me as it was for him.

James Haney


[Non-text portions of this message have been removed]

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