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Digital BW, The Print

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Re: [Digital BW] Re: Getting started

Re: [Digital BW] Re: Getting started

2001-10-02 by Steadman Uhlich

Martin, 
I think that reads like a good idea.  Those simple solutions to oft asked questions would save us all time and typing.  FAQ away!

And thanks again for starting the forum and keeping it going.

Steadman
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  ----- Original Message ----- 
  From: Martin Wesley 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, October 01, 2001 10:16 PM
  Subject: [Digital BW] Re: Getting started


  Todd,

  Thanks for remembering to cover the people who want or need good 
  glossy output. A good decision matrix too.

  I changed the subject line to "Getting Started" since it really 
  should be broader than a Piezo vs. MIS decision. Need to work the 
  color ink sets into the decision path too.

  You and Steadman have laid out two recommendations. I would like to 
  get more people to do the same; combine them into one text file and 
  then post it in the files section. Then when the question gets asked 
  next we can just refer people to that file and say read this first 
  and then ask questions. Perhaps we can do this without debating the 
  merits of each person's recommendations but simply post them all and 
  let the reader make up their own mind?

  Martin


  --- In DigitalBlackandWhiteThePrint@y..., Todd Flashner <tflash@e...> 
  wrote:
  > on 10/1/01 12:34 AM, Martin Wesley wrote:
  > 
  > > As I said, I am uncertain at this point as to what to recommend to
  > > newcomers (the vast majority of them will be desktop users) 
  between
  > > Piezo and MIS solutions as a starting place.
  > 
  > I break it down along what can't you live with, and what can't you 
  live
  > without.
  > 
  > If you can't live without glossy papers and/or high dmax go 
  Spectratones.
  > 
  > If you can live with matte papers, Piezo color and cost, go Piezo 
  software
  > and inks, or Piezo software and FS inks (BTW, has anybody tried to 
  print
  > Tyler's Zees with the Piezo driver and FS inks?).
  > 
  > If you can't live with Piezo's color and/or cost try MIS VT.
  > 
  > If you can't live without deep hues, like sepia, or need to use one 
  printer
  > for color and BW go with MIS, or Generations, or Cone color 
  pigments.
  > 
  > I think clogging is likely printer, dirty carts, or location 
  (altitude,
  > humidity, temperature changes, etc.) dependent. Too many people 
  have good
  > results with all inks for it to be ink specific.
  > 
  > Todd


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[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Getting started

2001-11-26 by Brian Mikiten

Others have given some good advice and I'll drop in a few suggestions as well. Good hardware (I have an 1160/G4/Piezo system) certainly helps in the process. I settled on Lyson Matte and am pleased with the surface, color and whiteness. It closely matches in "feel" the oriental paper I used for years - especially after it is matted and framed. Yes, the color of the ink is different but you get used to it quickly.

Brian



[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Getting started

2001-11-27 by Jerry Olson

I'm wondering though about my initial ink order -
> whether to go for the FS (full spectrum) or the VT (variable Tone)
> variety ?

> Any comments ?

Well, I wouldn't like the FS inks at all. They are identical to the
color of piezo inks, which is to my eyes, is brown on pure white papers.
 With the VM inks you can have any tone you want from brown to very
cold, almost blue.

> I assume the appropriate curves are as good for either type of ink?

No, I believe they are different. email Paul Roark at:
paul.roark@... to be sure, though.

> And are the curves customised for particular papers ? If so which &
> are they also available from MIS?

Not really, Paul's curves seem to work with almost any paper. I've
discovered that using the backlight media setting instead of the
heavyweight matte setting results in much deeper blacks. This works very
well on Legions Photo Matte Paper, and the Brightcube Eclipse Satine
paper, 2 of my favorite papers. Also works on Epson Archival Matte paper
and several others.

> I would be aspiring to a traditional fibre base paper i.e. a smooth
> semi-gloss type of finish rather than a textures water colour
> surface. I have seen a print done on Epson Archival Matte and found
> the paper surface to be a bit "dead" - on the other hand I dislike
> the super gloss that you get on traditional RC glossy prints - any
> comments ?

The only paper I dislike worse than glossy paper is semi glossy paper. I
think prints on it look very tacky and amateurish.  But this is only my
opinion, of course. :) Correct, but mine!

Eclipse is a beautiful paper, thick, pure white. you can print on either
side, and one side has a little texture and the other is smooth. 100
Percent rag, and pH neutral. Not expensive.

Jerry

Also Photo matte is now about the same price as epson's archival matte.
There is no logo on the back, it is whiter than epson, and thicker than
epson. Great blacks too, if you use paul roark's curves but substitute
the backlight film setting for heavyweight matte.

Jerry
Show quoted textHide quoted text
> 
> > You use one of the five curves every time you print. They go from
> cold,
> > to cool, to neutral, to medium warm, to warm. You just load the
> curve
> > you wish to use before you print the picture and print.
> 
> > MIS also makes a full spectrum set of inks that are identical in
> tone to
> > the very warm, and very expensive piezo inks.
> >
>  If you use Paul Roark's curves your print quality will be identical
> to
> > the Piezo prints.
> >
> > Also, be sure you get a CIS system for the 4 ounce bottles of ink.
> You
> > don't want to be using the very expensive cartridges.
> >
> > Jerry
> >
> 
> 
> Please visit the Group Homepage to check the Files, Bookmarks, Polls and other resources as they are often being updated. The page is at:
> 
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> 
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or "flames."
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various resources on the homepage.
> 
> 
> 
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/

Re: [Digital BW] Re: Getting started

2001-11-27 by Todd Flashner

> Not really, Paul's curves seem to work with almost any paper. I've
> discovered that using the backlight media setting instead of the
> heavyweight matte setting results in much deeper blacks. This works very
> well on Legions Photo Matte Paper, and the Brightcube Eclipse Satine
> paper, 2 of my favorite papers. Also works on Epson Archival Matte paper
> and several others.

Would this be on your 1280, or your 1160? Would the same setting work
equally well on both printers? What does it do to the rest of the tones?

Todd

Re: [Digital BW] Re: Getting started

2001-11-27 by Jerry Olson

Hi Todd,

I haven't tried the Backlight setting on the 1160, just the 1280. I will
try it probably tomorrow on the 1160.

I don't notice much difference in actual prints. except there is the
much deeper black.  On the Step wedge, though, there is a difference.
The black, is still extremely dense, but the next tone to it is lighter
than it should be.  There is probably enough of a difference to fit 2
more shades of deep gray in there.  However, when actually making
prints, the prints with the deeper black are SO much more appealing to
the eye than the ones with the heavyweight matte setting, that I'll
forego the little bit of shadow detail the Heavyweight Matte would give
you.  It's sort of like the first time you use the Piezo setup. There is
a lot of shadow separation in the deep tones, but the prints looked too
gray and flat. I don't know if Paul could write a curve to take
advantage of the deep black or not. However this does prove that the MIS
VM black ink is capable of a much deeper black than I thought possible.

Jerry


... This works very
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> > well on Legions Photo Matte Paper, and the Brightcube Eclipse Satine
> > paper, 2 of my favorite papers. Also works on Epson Archival Matte paper
> > and several others.
> 
> Would this be on your 1280, or your 1160? Would the same setting work
> equally well on both printers? What does it do to the rest of the tones?
> 
> Todd

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